Showing posts with label Abafana Bama Big Bag. Show all posts
Showing posts with label Abafana Bama Big Bag. Show all posts

Thursday, 16 April 2015

Sax Jive Special - Vol. 3

Following on from Accordion Jive Special – Vol. 1, we present the next in our series of South African jive specials. We’re sticking with the instrumental theme for now, and onto another popular form of dance music during the mbaqanga era. Sax Jive Special – Vol. 3 spotlights 20 more musical gems originally released on 45 rpm singles between 1965 and 1977.

Our opening tune “Hamba Phepha Lami No. 2”, a 1967 recording from the estimable Makgona Tsohle Band, is a remake of a huge vocal jive hit by the Mthunzini Girls. The original recording – featuring Windy Sibeko on lead vocals – was made just a short while before the sax jive reinterpretation, but was already making waves in Durban where broadcaster K.E. Masinga gave the tune regular airplay on the then-Radio Bantu operation. This was not an unusual situation: two other numbers in this compilation, “Tetemuka” (from Abafana Bama Big Bag – or the Big Bag Boys, as they were more commonly known) and “Izulu Liya Duduma No. 2” (another Makgona Tsohle Band masterpiece) had alternate vocal recordings that were hits of their own accord.
Alto saxophonist West Nkosi blows both his trusty horn and a melodica in “Hamba Phepha Lami No. 2”. It appears that there was a fashion for the melodica at the time, as the instrument pops up again in “Theogedi” – an atmospheric 1965 sax jive from Makgolokgolo, in reality a cover name for the same Makgona Tsohle Band – and in the intro to “Tetemuka”, featuring Sipho Bhengu on alto sax duties. Tom Vuma was the lead guitarist for Abafana Bemvunge, the band the backed the Mthunzini Girls who performed “Tetemuka No. 2”. In the early 1970s, Vuma left Mavuthela and moved over to EMI where he began honing a career as a producer, continuing to play his guitar on dozens of vocal and instrumental mbaqanga sessions. One of his sax jive numbers, “Shake Shake No. 500”, has a brilliantly pacey beat and loose sax phrases.
As with Monday’s compilation, I have a few favourites that I feel the need to single out: “Bye Bye” presents the Makgona Tsohle Band at their peak, with excellent rubber-thick melody from rhythm guitarist Vivian Ngubane. “Ezamabone” and “Taxi Driver” are the two numbers that represent the wild ‘jive mabone’ craze of 1973, both of which feature West Nkosi on alto sax but performing with two different instrumental outfits. “Taxi Driver” just edges it for me with its tough mabone drumbeat and rocking guitar rhythms. Another gem is the superbly swift “Hamba Nami”, credited to Big Mukwebo and His Home Boys. ‘Mukwebo’ refers to James Mukwevho – not the alto sax player but in fact the leader and bass guitarist of the Zwino Zwino Boys, the second-tier Mavuthela backup team (behind the first-tier Makgona Tsohle Band) that actually performs this number. (‘Zwino zwino’ is Venda for ‘now now’, denoting ‘ultra-modern’.)
Going back to West now and his 1972 recording “Intambo”, which is marvellous. It’s a beautifully melodic sax-and-accordion-jive tune with yet another of those brilliant spoken intros, which – as far as I can tell – sings the praises of a new Mavuthela recruit, groaner Paulus ‘Mgodlagodla’ Mabunda. Strange! Mavuthela boss Rupert Bopape provides an amusing spoken intro to “Stop Press” by Mathwalimbuzi, featuring ace musician Sello Mmutung fronting the Makgona Tsohle Band with his alto sax. As the 1970s wore on, the beats became harder and tougher – “Is Out Now” (by Albert Motha’s Amazulu Amnyama) and “Take Time” (by Fastos The Great, aka sax jiver David Khanyile) are from that late 1970s period which saw the final evolution of mbaqanga. Eventually the sound was completely usurped by a new mixture of jive, soul and disco.

A big thanks from me to Laurent Dalmasso for providing Electric Jive with 45 rpm transfers of “Intambo” and Shasha and Jackey’s “Makgona Tsohle”.

What are you waiting for? Download this mix and get your groove on! YEBO!! ☺

SAX JIVE SPECIAL – VOL. 3
COMPILED BY NICK LOTAY

01) MAKGONA TSOHLE BAND – HAMBA PHEPHA LAMI NO. 2 (1967)
02) WEST NKOSI AND HIS ALTO SAX – BYE BYE (1965)
03) MAKGOLOKGOLO – THEOGEDI (1965)
04) ABAFANA BAMA BIG BAG – TETEMUKA (1968)
05) MAKGONA TSOHLE BAND – IZULU LIYA DUDUMA NO. 2 (1967)
06) PAULUS MASINA AND HIS SAX – MADUNA (1969)
07) MAMBAZA NABAFANA BOMSHOSHOLOZO – HILLS OF JIVE (1971)
08) MAZEICKS – SHAKE SHAKE NO. 500 (1972)
09) ABAFANA BOMCIKICO – BAROTHO (1973)
10) WEST NKOSI NABASHOKOBEZI – TAXI DRIVER (1973)
11) MARKS MANKWANE AND HIS SHALUZA BOYS – EZAMABONE (1973)
12) BHENGU & BHENGU – EKHONENI (1972)
13) BIG MUKWEBO AND HIS HOME BOYS – HAMBA NAMI (1974)
14) WEST NKOSI NABASHOKOBEZI – INTAMBO (1972)*
15) SHASHA AND JACKEY – MAKGONA TSOHLE (1972)*
16) HAMILTON NZIMANDE – GIG 74 (1974)
17) MATHWALIMBUZI – STOP PRESS (1976)
18) AMAZULU AMNYAMA – IS OUT NOW (1977)
19) FASTOS THE GREAT – TAKE TIME (1977)
20) MARKS MANKWANE AND THE SHALUZA BOYS – N.Y. 4 (1976)

Download link: MF

VOL. 1 | VOL. 2

Monday, 1 December 2014

Tetemuka Jive (1969)


Welcome to December on Electric Jive! In my humble opinion, there can be no better way to kick off the festive season than with a seriously large dose of the greatest South African sax jive. Tetemuka Jive, released on the Inkonkoni label in 1969, collects 12 of the best mbaqanga instrumentals (originally released as singles) of the last 12 months.

At the time of this album’s release, Mavuthela Music – Gallo Africa’s black music production facility headed by Rupert Bopape – had successfully solidified its position as the most dominant African record label in the industry. This success was initially generated by a number of popular recordings from a line-up of female singers, later to be known as the Mahotella Queens, together with groaner Mahlathini and the Makgona Tsohle Band. The triumvirate recorded a frankly astonishing amount of hit singles during the 1960s in addition to extensive tours across the country to fulfil demand – so it was inevitable that the formidable and shrewd Bopape sought to replicate the success by forming a number of junior bands to follow in their footsteps.

Tetemuka Jive spotlights a couple of the more successful instrumental combos that Bopape formed to capitalise on the success of Marks Mankwane and company – Abafana Bemvunge (Boys of the grapevine) and Abafana Bama Big Bag (Boys of big bags). On this album, both teams provide the instrumental accompaniment to some of Mavuthela’s great sax jivers including Sipho Bhengu, Jack Lerole and Lemmy Mabaso. There are also two other numbers provided by the premier house band, Makgona Tsohle, in conjunction with premier sax jiver West Nkosi. This LP was the first issued on the Inkonkoni label, then the latest in a long line of Mavuthela labels (Motella, Gumba Gumba, C.T.C. Star Record, Smanje Manje… and so on). Though the term has since been adapted for other uses by the younger generation, ‘inkonkoni’ was at the time the straightforward Zulu term for 'wildebeest'.

It’s rare to come across an album of this style and vintage and find that every single track is nothing less than amazing. But I must admit to having a few personal favourites. “Tetemuka” (“Cruise along”) echoes some of the other sax jive singles of the decade including “Jive Mojikisa” and “Ice Cream and Suckers”, but this one must have been successful enough to warrant its appearance here as the title track and a follow-up recording, “Tetemuka No. 2”, from Izingane Zomgqashiyo (available on Indoda Mahlathini, Motella LMO 110). Big Voice Jack’s four numbers on Tetemuka Jive make remarkable use of other musical styles including tango, ska and soul. Marks Mankwane’s jive-tastic “Marks Special” started a huge craze and, with West Nkosi on alto sax and the rest of the Makgona Tsohle Band backing them up, he proceeded to record as many follow-up singles as possible over the next couple of years. But Marks’ “Pheladi” (“daughter-in-law”) is my absolute favourite and one can quite clearly hear the infectious beat eventually stir the band members up into a musical tizzy.

A huge, huge thanks to Manzo Khulu for providing the translations here.

Readers please stay tuned to Electric Jive this month for your usual end-of-year mixture of musical treats. I hope this one starts the party with an absolute bang! Enjoy!


TETEMUKA JIVE
VARIOUS
produced by Rupert Bopape
Inkonkoni LNKO 2000
1969
Sax Jive