Zambezi Restaurant, District Six Jazz: Part II

District Six: 1965. Pic: Ian Huntley

Electric Jive celebrates its 300th post of this blog with two more historical sets recorded by Ian Bruce Huntley during 1964 at the legendary Zambezi Restaurant in District Six Cape Town. In addition to an elegant trio rendition of popular numbers by Chris and Philly Schilder with Max Dayimani, there is a lively performance by Tete Mbambisa's Jazz Disciples where we hear at least one local composition - "Dollar's Moods" by Hugh Masekela and first recorded by the Jazz Epistles. (Thanks 'anonymous' for this helpful correction, and thanks Bob D and MB for help in naming the other tracks). Any help in naming the remaining unidentified track would be much appreciated.

On a related 'heritage practitioning' and archiving note: The Centre for Popular Memory at the University of Cape Town has recently updated its website. It is now possible to listen to a number of interviews Colin Miller did with Cape Town jazz musicians such as Harold Japhta, Robbie Jansen, Cliffie Moses, Cups and Saucers Nkanuka, Monty Weber, Richard Schilder, Donald Tshomela and others. You can find this important resource here.

SET ONE: Chris Schilder, Philly Schilder, Max Dayimani

1.      Green Dolphin Street (10:19)

2.      My Man's Gone Now (5:38)

3.      Too marvelous for words (5:47)

4.      Unidentified Track 4 (7:02)

5.      Milestones (8:24)

SET TWO: Dennis Mpale (trumpet), Ronnie Beer (saxophone), Tete Mbambisa (piano) – not certain who is on  (bass), Max Dayimani (drums)

1.      Dollar's Moods (Hugh Masekela) (9:30)

2.      Sweet and Lovely (7:26)

3.      ? (4:41)

4.      Misterioso (Thelonius Monk) (6:22)

5.      Friday the 13th (13:31)

Fruit and veg vendor outside Beaconsfield Bar, District Six. Pic: Ian Huntley

 

Mediafire SET ONE here and SET TWO here

Rapidshare SET ONE here and SET TWO here

Jazz in District Six: The Zambezi Restaurant: part 1 - Celebrating International Jazz Day

Distric Six Cape Town (1964): Pic Ian Bruce Huntley

It is written that Cape Town's Zambezi Restaurant in Hanover Street, District Six, first became really popular as a Sunday night jazz venue in 1956 when the second Arab-Israeli war closed the Suez Canal shipping channel. Shiploads of American soldiers in transit would dock in Cape Town, with the bop jazz-lovers among them frequenting District Six, listening to racially mixed groups of South Africans of Muslim, Jewish, Christian and other faiths together creating music.

In celebrating International Jazz Day (30th April), Electric Jive is honoured to be able to share a previously unheard set of 1964 recordings made by Ian Bruce Huntley at this fabled venue.

Hanover Street, District Six (1964). The Zambezi Restaurant
was about half way down, on the right. Pic: Ian Huntley

Trumpeter Syfred Woodrow Dlova describes the times to Lars Rasmussen: “The big American battleships, the aircraft carriers, they used to come here, and some of the black Americans would get off the boat and come and perform ... and have a good time!. Some of them were great musicians. That is before those people went out of their minds (the apartheid government). At one time, they stopped an aircraft carrier from docking in Cape Town because there were black pilots there. They said, No, we can’t have black pilots flying planes over a white country! They were sick, man!. (Jazz People of Cape Town, p.60)

As I continue to process and digest just over 56 hours of Ian Huntley’s recorded archive it becomes possible to notice which musicians performed regularly together. Given the increasingly oppressive racial separation enforced in the mid 1960s, Ian's archive provides strong evidence of these artists persisting with some success in being a defiant multi-racial creative pulse that coursed through the heart of Cape Town's jazz scene in the sixties and early seventies.

"Fairyland" District Six: Pic Ian Huntley

There were some complex dynamics that enabled an ongoing racial mix of South African musicians to play in public. Sammy Maritz talks about the change of name of the Jazz Disciples to the Ronnie Beer Quintet, and then when Mongezi Feza joined them, to the Ronnie Beer Sextet: “To tell the truth, because he was a white guy. So it proved opportune to have a name like that. At that stage, it was good to have a white guy with you. Especially when we had to do night clubs and things. This is the kind of things people won’t tell you. They sort of want to run down the white. White was a good thing at some times. Through this guy we could get into some clubs that we could never go in a black group altogether. The groups I played with was always mixed, there was always white guys and I didn’t see colour. If it was a black guy and we spoke the same thing as far as music that was it. That was the colour - the colour of music.” (Rasmussen p.132/3).

District Six (1964). Pic: Ian Huntley

Ian Huntley remembers the Zambezi Restaurant as a dark and difficult place to take photographs in. Owned by Abie Hurzuk (he also owned The Mermaid), the Zambezi was located on Hanover Street, the bustling ‘central business district’ of District Six. Ian recorded close on three hours of live music there. He also took some amazing pictures.

The eighty four minutes of recordings shared in this post are a testament to the diverse groupings and mix of musicians who gathered to entertain at the Zambezi.

 

If you have not had chance to check out the earlier posts that share Ian Huntley's unique recordings, use the SEARCH function in the right hand column of this blog - search "IBH Jazz".

Jazz at the Zambezi Restaurant

Part one (1964)

Ronnie Beer* (Tenor), Chris Schilder (Piano), Philly Schilder (Bass), Max ‘Diamond’ Dayimani (Drums), Selwyn LissackP(Drums)

1.    Billie's Bounce* (3:33)
2.    Bessies Blues (6:50)
3.    Milestones* (8:52)
4.    Misty (8:21)
5.    Saints*P(9:58)

Ronnie Beer (tenor), Bucs Chonco (Piano), Philly Schilder (Bass), Max Dayimani (Drums)

 

6.     Green Dolphin Street (8:04)

7.     Mr Mecca (6:39)

Ronnie Beer (tenor), Chris Schilder (Piano), Philly Schilder (Bass), Selwyn Lissack (Drums),

Mike Gibbs (Trombone), Bob Tizzard (Trombone)

8.     Bag’s Groove (11:51)

9.     Softly As a Morning Sunrise (8:57)

Tony Schilder (Piano), Basil Moses (Bass), Selwyn Lissack (Drums), Mike Gibbs (Trombone),

Bob Tizzard (Trombone), Ronnie Beer (Tenor)

10. Billie's Bounce (11:00)

Rapidshare here

Mediafire here

Jazz in District Six: The Smart Street Sessions

District Six in Cape Town was once home to a number of the jazz musicians that Ian Bruce Huntley recorded and photographed – until this mixed and vibrant community of 60,000 people was bull-dozed by the apartheid regime.

While the community and buildings of District Six were destroyed, there have been important efforts by the District Six Museum and many others to preserve and honour the memory. In the coming months Electric Jive will be sharing two or three posts of Ian’s District Six photos and recordings as a small contribution to this important heritage.

District Six: Pic Ian Bruce Huntley

District Six was established in 1867 as a mixed community of freed slaves, merchants, artisans and labourers. In 1966 the apartheid government declared the area “white” leading to the forcible removal of all its people and the destruction by bull-dozers of their homes, businesses, and places of worship.

It is with great respect and joy that Electric Jive is able to share Ian Huntley’s images and music recorded in District Six.  Just click on any of the images to get an enlarged view of all the pics in this post.Today’s musical offering is of some private sessions that took place in the Smart Street home of Basil and Cliffie Moses. In addition to the Moses brothers, Chris, Philly and Jackie Schilder feature, along with Roy Petersen, Monty Weber and Billie Dollie.

Monty Weber and Basil Moses are perhaps most widely known, in the context of South Africa’s jazz history, as having recorded prolifically – including performing on seven or eight of Abdullah Ibrahim's 1970s recordings. Both artists also feature on Sathima Bea Benjamin’s “African Songbird”, due for re-release by Matsuli next month. Monty Weber’s “District Six” album can be found here. The 1959 musical "Shebeen", set in District Six can be found here.

Basil and Cliffie Moses (1974)
Pic: Ian Bruce Huntley

You can read or listen to Colin Miller’s 1998 life history interview of Monty Weber here. Colin did a great series of interviews in the late 1990s with amongst others, Cliffie Moses, Richard Schilder, Maurice Gawronsky, Cups and Saucers Nkanuka. These recordings and documents can be accessed through the Centre for Popular Memory at the University of Cape Town.

Guitarist Cliffie Moses, three years older than brother Basil, was another professional musician who also had a day job. Cliffie tells Colin Miller of his time: “I want to say in the 10 years that we played at the Three Cellars, ... Don’t forget it was six nights a week we played. Working during the day, playing at night.” Cliffie relates that he also produced an album of “jazz from District Six”. “.. this particular song came to mind and I saw a complete picture of me walking Hanover Street and sitting on the Seven Steps. It was then that I composed this tune called "Seven Step Lament.”

Seven Steps, District Six

Pic: Ian Bruce Huntley

In 1970 Basil, Cliffie, Roy Petersen and Monty Weber were all hired to tour the country as core of Percy Sledge’s backing band for a seventeen-week sell-out tour of South and southern Africa. The tour opened to a three-week sell-out season at the 1,300-seat Luxurama Theatre in Cape Town. Percy Sledge described it as the “greatest tour of my career”.

Drummer Billie Dollie was raised by Imam Dollie. Roy Petersen, like many other talents, cut his teeth in touring with the Golden City Dixies.

According to Cliffie Moses, Chris Schilder (now Ebrahim Kalil Shihab) spent some time living at the Smart Street House, playing the piano there non-stop.

The sessions recorded by Ian were private sessions played in the Moses' home. They are split into two separate downloads, the first comprising mostly quality renditions of jazz standards. Ian recalls the second session with Roy Petersen at the piano as an impromptu jam during which the compositions "Smart Street" and "Requiem for Reg" emerged.

The Smart Street Sessions

Recorded by Ian Huntley at Basil and Cliffie Moses’double-story house in Smart Street, District Six - 1964

Chris Schilder (piano), Basil Moses (bass), Roy Petersen (Drums) Clifford Moses (guitar) 

1.     Veet Blues (9:19)

2.     Straight No Chaser (8:42)

Eckhard Street, District Six
Pic Ian Bruce Huntley

Chris Schilder, Basil Moses, Monty Weber

3.     Sad John (8:26)

4.     It Aint Necessarily So (14:26)

Chris Schilder, Philly Schilder, Jackie Schilder

5.     Look Up (7:59)

Rapidshare here
Mediafire here

Roy Petersen (piano), Billy Dollie (drums) Basil Moses (bass)

1. Smart Street

Roy Petersen (piano), Monty Weber (drums) Basil Moses (bass)

1. Smart Street (2)
2. Requiem for Reg

Rapidshare here
Mediafire here

IF YOU HAVE NOT SEEN THE EARLIER POSTINGS OF THIS JAZZ ARCHIVE - USE THE SEARCH FUNCTION ON THE RIGHT AND SEARCH IBH JAZZ

Mankunku and Goldberg Go Free in Cape Town



Morris Goldberg, Chris Schilder and Midge Pike at the Art Centre, Cape Town  (1966).
Pic by Ian Bruce Huntley

Best wishes to you from us here at Electric Jive for 2013. Before sharing another previously unheard gem from the Ian Bruce Huntley jazz archive, an update on Electric Jive for the year ahead.
 

When comparing burn-out symptoms at the end of 2012, the four of us who run this blog agreed that something had to change. In addition to our own working lives we have other voluntary projects besides Electric Jive that we are also committed to. So, we plan to slow down and publish less frequently this year. We are also more likely to mix up the post format, length, and content. Each contributor will have a two-week slot in which at least one post will be shared. Sometimes we may post more often within that two-week slot than in other times. All of us are committed to keeping this blog going for as long as our energies enable us to.

We kick of this year with an eighth instalment from the Ian Huntley Jazz archive. Ian has often pointed out to me that ‘free jazz’ was a lot more popular amongst South Africa’s 1960s jazz musicians than we realise.

My friend Max Annas reckons that much of the written history of jazz in South Africa has been shaped largely by the evidence of relatively few studio recordings. He agrees with Ian in pointing out that the narrative of jazz history in South Africa has little to say of the enthusiastic embrace by  important musicians of the Free Jazz movement.

There is still quite a bit of ‘free jazz’ to share from Ian’s archive, including a number of private sessions of “Experiments in Selwyn’s Garage”, with Winston Mankunku Ngozi and Chris Schilder  mixing their own musical chemistry. There are also a number of sessions at the Art Centre in particular which are most certainly ‘free’ in character. Perhaps Cape Town audiences were more receptive and just as enthusiastic in wanting to break with convention at that time? 

Today’s session was recorded at The Art Centre on 20^th August 1966. While a bop idiom provides  lyrical foundation, and there is a meter that keeps the likes of me interested, huge spaces are created for the musicians to express their own voice in the moment. The opening track “Free Thing” features fairly frequently on Ian’s tapes. The second track “Ole” is the Coltrane composition that featured on the introductory post to this archive. The outstanding third track “Poor” was previously unknown to me and showcases Mankunku and Goldberg taking their instruments to new places. Does anyone recognise "Poor"? Can you tell us more about it?

 In addition to having Morris Goldberg and Winston Mankunku Ngozi to hand on saxophones, there is a double-up in having Midge Pike and Philly Schilder on double-bass. Chris Schilder’s brilliance shines through on piano, while Selwyn Lissack's drumming is clearly happy ‘out there’ in the experiment.

Please – if any of you has anything you could add by way of information or have a reaction to this music, we would very much welcome a few words in the comments section below.

 

Mankunku and Goldberg Go Free in Cape Town

Zippyshare here

Rapidshare here

 

If you have not yet listened to the earlier postings from Ian’s archive, you can find them here:

1. Winston Mankunku gem

2. Love for Free: Hidden South African Jazz Archive revealed

 

3. The Blue Notes: A Journey of Faith

4. Chris McGregor Quintet Live in Geneva

5. Becoming Free In Cape Town

6. Last Night at the Room At The Top: Dyani and Pukwana

7. Kippie Moeketsi: The album he never made