Jazz in District Six: The Zambezi Restaurant: part 1 - Celebrating International Jazz Day

Distric Six Cape Town (1964): Pic Ian Bruce Huntley

It is written that Cape Town's Zambezi Restaurant in Hanover Street, District Six, first became really popular as a Sunday night jazz venue in 1956 when the second Arab-Israeli war closed the Suez Canal shipping channel. Shiploads of American soldiers in transit would dock in Cape Town, with the bop jazz-lovers among them frequenting District Six, listening to racially mixed groups of South Africans of Muslim, Jewish, Christian and other faiths together creating music.

In celebrating International Jazz Day (30th April), Electric Jive is honoured to be able to share a previously unheard set of 1964 recordings made by Ian Bruce Huntley at this fabled venue.

Hanover Street, District Six (1964). The Zambezi Restaurant
was about half way down, on the right. Pic: Ian Huntley

Trumpeter Syfred Woodrow Dlova describes the times to Lars Rasmussen: “The big American battleships, the aircraft carriers, they used to come here, and some of the black Americans would get off the boat and come and perform ... and have a good time!. Some of them were great musicians. That is before those people went out of their minds (the apartheid government). At one time, they stopped an aircraft carrier from docking in Cape Town because there were black pilots there. They said, No, we can’t have black pilots flying planes over a white country! They were sick, man!. (Jazz People of Cape Town, p.60)

As I continue to process and digest just over 56 hours of Ian Huntley’s recorded archive it becomes possible to notice which musicians performed regularly together. Given the increasingly oppressive racial separation enforced in the mid 1960s, Ian's archive provides strong evidence of these artists persisting with some success in being a defiant multi-racial creative pulse that coursed through the heart of Cape Town's jazz scene in the sixties and early seventies.

"Fairyland" District Six: Pic Ian Huntley

There were some complex dynamics that enabled an ongoing racial mix of South African musicians to play in public. Sammy Maritz talks about the change of name of the Jazz Disciples to the Ronnie Beer Quintet, and then when Mongezi Feza joined them, to the Ronnie Beer Sextet: “To tell the truth, because he was a white guy. So it proved opportune to have a name like that. At that stage, it was good to have a white guy with you. Especially when we had to do night clubs and things. This is the kind of things people won’t tell you. They sort of want to run down the white. White was a good thing at some times. Through this guy we could get into some clubs that we could never go in a black group altogether. The groups I played with was always mixed, there was always white guys and I didn’t see colour. If it was a black guy and we spoke the same thing as far as music that was it. That was the colour - the colour of music.” (Rasmussen p.132/3).

District Six (1964). Pic: Ian Huntley

Ian Huntley remembers the Zambezi Restaurant as a dark and difficult place to take photographs in. Owned by Abie Hurzuk (he also owned The Mermaid), the Zambezi was located on Hanover Street, the bustling ‘central business district’ of District Six. Ian recorded close on three hours of live music there. He also took some amazing pictures.

The eighty four minutes of recordings shared in this post are a testament to the diverse groupings and mix of musicians who gathered to entertain at the Zambezi.

 

If you have not had chance to check out the earlier posts that share Ian Huntley's unique recordings, use the SEARCH function in the right hand column of this blog - search "IBH Jazz".

Jazz at the Zambezi Restaurant

Part one (1964)

Ronnie Beer* (Tenor), Chris Schilder (Piano), Philly Schilder (Bass), Max ‘Diamond’ Dayimani (Drums), Selwyn LissackP(Drums)

1.    Billie's Bounce* (3:33)
2.    Bessies Blues (6:50)
3.    Milestones* (8:52)
4.    Misty (8:21)
5.    Saints*P(9:58)

Ronnie Beer (tenor), Bucs Chonco (Piano), Philly Schilder (Bass), Max Dayimani (Drums)

 

6.     Green Dolphin Street (8:04)

7.     Mr Mecca (6:39)

Ronnie Beer (tenor), Chris Schilder (Piano), Philly Schilder (Bass), Selwyn Lissack (Drums),

Mike Gibbs (Trombone), Bob Tizzard (Trombone)

8.     Bag’s Groove (11:51)

9.     Softly As a Morning Sunrise (8:57)

Tony Schilder (Piano), Basil Moses (Bass), Selwyn Lissack (Drums), Mike Gibbs (Trombone),

Bob Tizzard (Trombone), Ronnie Beer (Tenor)

10. Billie's Bounce (11:00)

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Sunday Night at the Troubadour - Cape Town (1965)

Maurice Gawronsky at University of Cape Town 1973. Pic Ian Bruce Huntley

The endurance of three of the artists featured in this soulful session recorded by Ian Bruce Huntley in 1965 just has to be celebrated. In little over two weeks’ time Ebrahim Khalil Shihab (formerly Chris Schilder) will be taking his rightful place, centre stage at the Cape Town International Jazz Festival.

I am truly struck by the passage of forty eight years in being able to share this previously unreleased quartet recording. After all this time Maurice Gawronsky tells me matter-of-fact that he just can’t stop drumming.  In fact, he has gig lined up with Shihab over the eight-days jazz festival period. And Morris Goldberg, well he just continues to amaze me.

The only member of this quartet who is no longer with us is Bob Tizzard, who was at home both on bass and trombone – having played trombone on the legendary 1963 recording: Jazz The African sound. Bob’s son Paul is a drummer, and continues to run the piano tuning business that his father started in Cape Town.

The Troubadour Restaurant in Breda Street, Gardens was owned by Maurice Gawronsky until he sold it in 1967. Maurice recalls during the week it was more of a folk music venue where patrons would pay twenty five cents for entrance and a bottomless cup of coffee. Live jazz would take place on Sunday evenings.

Judging from this recording, The Troubadour was a relaxed place to spend a Sunday evening listening to fine music. I asked Maurice how often it was possible for groups to rehearse together, given that many of the musicians had day jobs too. “When there were big band gigs coming up, we would get together for a rehearsal or two, but for a quartet playing standards, we just fell into the groove on the night – no rehearsals, we knew each other well enough”.

I invite you to sit back, relax and be transported back to an unhurried 87 minutes of fine jazz making its way out of the Troubadour Restaurant into the Cape Town night. If you happen to recognise the last two tracks, please leave a comment and tell us what you think they might be.

This blog has a series of posts that feature the music recorded by Ian Bruce Huntley in Cape Town in the 1960s and early 70s. Use the search function (right hand side bar near the top). Look for IBH Jazz Archive.

Morris Goldberg (Saxophone); Chris Schilder (Piano); Bob Tizzard (Bass); Maurice Gawronsky (Drums).

1.    All of you (19:47)

2.    Spanish Thing (Morris Goldberg) (14:34)

3.    If I were a Bell (12:48)

4.    Now's the Time (Charlie Parker)  (10:16)

5.    Four (Miles Davis) (13:30)

6.    Unidentified (16:49)

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