Happy 400 from Electric Jive!

It might surprise you to know that this is the 400th post on Electric Jive. In fact, we at EJ HQ realised our 400th was coming only in the last week or so. It's really a bit of a milestone for us and one that we felt shouldn't go unnoticed. But we've decided it's better to give than to receive - so what better way to mark 400 posts than offering our readers another compilation of wonderful '60s and '70s South African vocal jive 45s?!

The Dark City Sisters, that wonderful group of wonderful dames, open this celebration with their 1968 hit "Nice Time". Though the Mahotella Queens had taken the crown upon their 1964 formation, the Sisters were unmoved and continued to fly their mighty flag up high under the stewardship of Joyce Mogatusi and her fellow songbirds Grace Msika, Esther Khoza and Audrey Zwane. The Sisters continued to perform and record for a further 40 years - by the end, only on a very small, local circuit - until the death of lead vocalist Joyce Mogatusi in July 2012. Grace Msika, now in her mid-70s, has retired from singing but still remembers and hails the magical voice of her late best friend whose talent put the Dark City Sisters on the map.

"Dikuku" was a huge Sotho vocal hit in 1968. Composed by singer Virginia Teffo and performed by John Moriri and the Mthunzini Girls (but released under their other recording name Izingane Zo Mgqashiyo), the song simply celebrates the tasty cakes prepared to be eaten at traditional wedding ceremonies. As the John and the girls sing, the cakes are delicious but marriage is a tough nut to crack. Apart from Virginia, the original Mthunzini Girls - Julia Yende, Windy Sibeko and Teddy Nkutha - had actually resigned not long before this recording was made and were now recording for Isibaya Music as Izintombi Zentuthuko. Virginia was kept at Mavuthela by boss Rupert Bopape, who eventually became father to her children. Although Bopape officially retired in 1979, he continued to write songs and travel to the Gallo studios until the early 1980s. Virginia continued popping in and out of the Mahotella Queens until Bopape entered his old age and settled in Limpopo.

Though "Intlonipho" is credited to the Mthunzini Girls, it is really performed by the Mahotella Queens. Juliet Mazamisa, the composer of the tune, joined the Mahotella Queens in 1965 as their alto vocalist. She had arrived at the Gallo studios with fire in her belly. Her family members had turned on her, furious and jealous that she wanted to express herself in some artistic way. In the Mahotella Queens, she found love and support from her fellow singers. In 1969, Juliet was among the handful of Queens who quit Mavuthela to join Isibaya, recording as Amakhosazana (princesses). They moved again after less than a year, this time over to Teal Records - "Mapule" was recorded there in 1971 - and after a further few years unsigned, Amakhosazana split. Juliet then joined John Moriri and the Manzini Girls over at Satbel to make a dozen wonderful recordings; "Ciyongi Khumbula" is another Mazamisa composition, featuring both John and Manzini Girl Joana Thango on lead vocal duties. But it was only right that Juliet, a wonderful raconteur and a truly natural actress, would try her hand at television drama once the SABC had developed its African TV business. Until her retirement in 2000, Juliet lit up the screen with her sizzling personality in a bevy of serious TV dramas and comedies.

The star that had once shone so brightly during the mid-1950s had more or less faded after the rapid changes in the music scene and a botched goitre operation, and by 1965, Mabel Mafuya found herself at something of a dead-end. So she got in touch with top producer Rupert Bopape, who agreed to sign the big name to Mavuthela. "Intombi Yami" is one of the few sides she recorded with the Mahotella Queens, then on the cusp of becoming the country's most popular group, but not even they could help to bring Mabel to the same heights of fame she enjoyed a decade previously. It wasn't until the advent of the SABC's black television production that Mabel, like Juliet Mazamisa, was able to successfully breakthrough into another market.

1970's "Sebokeng Sa Dipina" represents the time when the Mahotella Queens name was at its highest peak - the only problem was that the original line-up had just quit to form Amakhosazana over at Isibaya, so Rupert Bopape found himself having to rebuild the group on the orders of Gallo executives, who didn't want their most popular African group to disappear overnight. Until Hilda Tloubatla came back to the group after her brief maternity leave, Phyllis Zwane took over the reigns as lead singer. But Phyllis' vocal range was not nearly as powerful or distinctive as Hilda's, so Bopape moved her around Mavuthela until she was able to find her niche. By the time Phyllis recorded "Segametse" with Izintombi Zomoya in 1975, she was still trying to develop a lead singing voice but was ultimately drowned out by those who possessed more memorable voices, such as Hilda, Julia Yende, Sannah Mnguni, Joyce Mogatusi, Emily Zwane and Irene Mawela.

Irene provides the feminine touch to the testosterone-fuelled "Shona Phansi Ndoda", an ode to the hardworking men digging for gold and diamonds in South Africa's mines. The song is credited to Mahabula Joza but it is really Irene along with members of top male mbaqanga group Abafana Baseqhudeni. Their lead singer, Robert 'Mbazo' Mkhize, features on two other hits in this compilation: "Ngiyayithanda Lentombi", a brilliant solo effort from 1973, and as the male lead singer in the fantastic "Usapho" by Dulcie Luthuli and her group Abalilizeli. Mbazo, Boy Nze, Tshabalala, Mazambane, Mabhawodi and countless others were actually following in the footsteps of the original king of the groaners - the main man himself, Simon 'Mahlathini' Nkabinde. The lion roars with all his might in "Basibon' Izithutha" (performed with the Mahotella Queens) and "Sabela Zwide" (a duo with the aforementioned Boy Nze).

We at Electric Jive sincerely hope you've enjoyed our posts over the past six years - how astounding to realise we've been going that long already! - and while 400 certainly doesn't have the robustness of a figure such as... for instance, 500... it's still humbling to reach such a target. I say with pride and not arrogance - truly - that Electric Jive holds an important position within the online movement towards the preservation and celebration of South African music from the 1950s through the 1980s. We'll carry on documenting this great country's rich musical heritage and sharing the out-of-print sounds of the past for as long as we possibly can.

Here's to the next 400! :)

ELECTRIC JIVE 400
COMPILED BY NICK LOTAY

01) DARK CITY SISTERS - NICE TIME (1968)
02) IZINGANE ZO MGQASHIYO - DIKUKU (1968)
03) MABEL MAFUYA AND THE QUEENS - INTOMBI YAMI (1965)
04) MTHUNZINI GIRLS - INTLONIPHO (1966)
05) SIMANJE MANJE - AWUSIBONI (1967)
06) IZINTOMBI ZESI MANJE MANJE - THEMBA MASOMBUKA (1966)
07) MAHLATHINI & IZINTOMBI ZO MGQASHIYO - BASIBON' IZITHUTHA (1969)
08) MAHLATHINI AND RHYTHM - SABELA ZWIDE (1972)
09) UMFANA WEMBAZO - NGIYAYITHANDA LENTOMBI (1973)
10) MAHOTELLA QUEENS - SEBOKENG SA DIPINA (1970)
11) DULCIE LUTHULI NABALILIZELI - USAPHO (1971)
12) MAKHOSAZANA - MAPULE (1971)
13) IZINTOMBI ZOMOYA - SEGAMETSE (1975)
14) JULIET, JOHN MORIRI & MANZINI GIRLS - CIYONGI KHUMBULA (1975)
15) JOHN MORIRI AND MANZINI GIRLS - ISITHUKUTHUKU SENJA SIPHELELA EBOYENI (1977)
16) MAHABULA JOZA - SHONA PHANSI NDODA (1976)
17) MSHIKISHI NAMAGUGU - NANGOMKHWENYANE (1977)
18) BOY NZE - SICELA INDLELA ESIBAYENI (1976)
19) THE QUEENS & NDLONDLO BASHISE BAND - TSETLANA (1976)
20) THE MAHLATHINI GIRLS - NGIZOSHONA PHI (1977)

Download link: MF

The Queens (1977)

We continue the girl group theme here on Electric Jive with a 1977 album from The Queens, the female troupe that backed the legendary Mahlathini during his time away from the Mahotella Queens.

The music of Mahlathini, the Mahotella Queens and the Makgona Tsohle Band dominated the townships during the 1960s and early 1970s. Under music exec Rupert Bopape’s vigilant direction, the Queens, the triumvirate recorded a massive amount of highly successful singles and performed in hundreds of halls and stadiums across South Africa and neighbouring countries including Botswana, Zimbabwe, Lesotho, Malawi and Swaziland.

But exploitation was rife within the music industry. In the early ‘70s, Mahlathini and several of the Mahotella Queens resigned after disputes with Bopape over show takings. (Bopape, with assistance from Makgona Tsohle Band members Marks Mankwane and West Nkosi, replaced the missing Queens with newer singers and had Robert ‘Mbazo’ Mkhize installed as their new groaner.) After one or two similarly unfavourable (and very brief) recording deals, the girls and Mahlathini formed a performance-only group, Amakhosazana (the princesses). This group was hugely successful for nearly two years until aspiring promoter Piet Ntuli charmed his way into the group, subsequently pocketing all the wages and creating in-fights. The singers left Ntuli in 1974 and joined Satbel Record Company under producer Cambridge ‘Baba’ Matiwane. Backed by the wonderful strains of Ndlondlo Bashise, Mahlathini and The Queens (the new name referencing their time within Mahotella) recorded a series of beautifully fierce, tough, gritty singles.

In 1977, Satbel underwent a reorganisation and Mahlathini and The Queens ended up once again without a studio to record in. Their only option at the time was to join EMI, under the production of none other than the corrupt Piet Ntuli. They gave him a second chance and simply carried on recording the wonderful hard-edged jive that they had created at Satbel. The result was two albums, both released on EMI’s Yashingoma label: Wavutha Umlilo, spotlighting King Mahlathini in all his glory; and the aptly-titled The Queens which we share with Electric Jive readers today.

Some songs, such as “Izinyoni”, “Ikhubalo”, “Keba Bone” and “Umakhelwane” are brilliant examples of unadulterated jive, while the growing influence of American soul on mbaqanga music can be detected in groovy numbers like “Ndiphilise Nkosi Yami”, “Bakgotsi Baka” and “Ndiphuthe Somandla”. All 12 songs are enjoyable and it's hard not to be moved by the passionate harmonies of The Queens - Mildred Mangxola (lead vocalist - tracks 2, 4, 7, 8 and 10), Isabel Maseko, Agnes Mhlauli, Thoko Nontsontwa, Belinda Sithole and Paulina Zulu

Enjoy!

THE QUEENS

THE QUEENS

produced by Piet Ntuli

Yashingoma YGA (E) 301

1977

Zulu Vocal Jive

Sotho Vocal

Xhosa Hymn

MF

Classic Mbaqanga Girl Groups - Vol. 4

ABOVE - IZINTOMBI ZESI MANJE MANJE IN 1975.

CLOCKWISE FROM TOP LEFT: LINDIWE MTHEMBU, JANE DLAMINI, NOBESUTHU SHAWE, RUTH MAFUXWANA

Collecting records from the glory days of black South African music invariably results in the accumulation of “factory-line stuff”. It is something inherent within mbaqanga music, which was as quick to produce as the traditional snack it was named after. But very often, that factory-line material would be intercepted. The individual talents and geniuses of the wonderful musicians in the studio would collide spectacularly and explode. The results of that explosion were stunning masterpieces that blended superb vocal harmony and sumptuous guitar rhythm together seamlessly. It is these masterpieces that Electric Jive presents here proudly today – the fourth installment of our regular series, Classic Mbaqanga Girl Groups.

“Awuthule Bo”, recorded in 1970, is one of the classic hits from the Mahotella Queens repertoire during their most successful era. Nobesuthu Shawe, one of the group’s regular vocalists and the composer of this song, tells her baby through fabulous high-spirited jive to listen to mother and quieten down. The ladies’ 1967 tune “Umuzwa Ngedwa” is an oddity because of its unusual swing-like melody, a throwback to the styles that their brand of mbaqanga had replaced. On the other hand, “Metsoalle Yaka”, is a deeply soul-infused 1970s number with some crazy-brilliant vocal work, featuring the golden voices of Thandi Radebe, Beatrice Ngcobo, Emily Zwane, Thandi Nkosi, Constance Ngema and Caroline Kapentar. The Mahotella Queens was perhaps the finest example of a truly classic mbaqanga girl group. The harmonies blended perfectly, the songs – either based on themes of love, folklore or topical matters – were always relevant, and the essential instrumental backup from the Makgona Tsohle Band was as raw and emotive as possible. Just one listen to their selections in this compilation certainly does go some way towards confirming those statements.

While the Mahotella Queens was the first group on the scene to pioneer the new, more electric-led female vocal jive of the mid-1960s, they were certainly not the only team of singers to shoot to stardom with beautiful recordings. Izintombi Zesi Manje Manje arose some three years after the Queens had already bedded into the market as the most successful female group of the 1960s, but this wasn’t going to deter Sannah Mnguni and her fellow songbirds, Thopi Mnguni, Thoko Khumalo and Nunu Maseko, from challenging the Queens for the crown. “Salani Kahle” spotlights Sannah’s beautiful vocal talent against the solid rhythm of the group. Along with the likes of mbaqanga vocalists such as Hilda Tloubatla, Irene Mawela, Olive Masinga and Julia Yende, Sannah possessed a voice that was instantly recognisable no matter which group she recorded with. She had left Izintombi Zesi Manje Manje in 1968, moving to the famous and well-known girl group the Sweet Sixteens which was led by Irene. Although Sannah did record some enchanting, hypnotic tunes with the group like “Uthuleleni”, she decided to return to Izintombi in 1970, bringing with her a junior Sweet Sixteen, Jane Dlamini. In 1972, the Izintombi line-up was thrown into jeopardy when the core members of the team resigned. Sannah, Thopi and Thoko – as well as lead guitarist Hansford Mthembu, Thopi’s husband – left the company and joined EMI, where they formed a successful new mbaqanga girl group called Amagugu. It remained a popular act until the early 1980s, when changing musical tastes brought an end to the dominance of the mbaqanga girl group. Izintombi Zesi Manje Manje retained its popularity through the early 1970s with a revised line-up: Jane Dlamini was joined by Nobesuthu Shawe (joining Isibaya after four years with Mavuthela’s Mahotella Queens), Beatrice Ngcobo (who was to depart the group soon and join the Mahotella Queens later in 1973), Lindiwe Mthembu and Ruth Mafuxwana. “Siya Kwa Mzilikazi”, featuring Izintombi’s regular groaner Saul Shabalala, was one of the many hits recorded by this newer incarnation of the group. "Sicela Indlela", another tune of similar vintage, sounds so carefree and laidback that it's almost as if the ladies are jamming with each other at a rehearsal.

During the mid-to-late 1960s, Mavuthela Music’s roster expanded so that set units of female singers were formed, utilising many of the names originated by Rupert Bopape back in 1964, and arranged almost in a hierarchy: the so-called “top tier” was the group that recorded under the names Mahotella Queens, Marula Boom Stars, Soweto Stars, Dima Sisters, Izintombi Zomgqashiyo, and the Sweet Home Dames. A second regular unit, featuring the voices of singers such as Julia Yende and Windy Sibeko, recorded under names including the Mthunzini Girls and Izingane Zomgqashiyo. “Sangena, Sangena” is an infectiously loud tune that has a slight-rumba feel to the rhythm – and a melodica is included in the band for good measure! On the other hand, “Akashaywa Umfazi” is the top tier at its best. Written by vocalist Mildred Mangxola and featuring Simon 'Mahlathini' Nkabinde on lead vocals, the song refers to physical abuse against women, although the song could be categorised as being more “classic mbaqanga” than “ballad”. Mangxola had joined Mavuthela in 1965 with her group, the Daveyton Sisters, with whom she had been singing since she was in her teens. The Sisters recorded some solid material for Mavuthela, but was to eventually disintegrate, with Mangxola and fellow Daveyton vocalist Thoko Nontsontwa joining the Mahotella Queens. Mangxola's wonderful, lively vocals can be heard prominently on "Akashaywa Umfazi", "Sengibuya Emarabini" (in which she has a very brief solo) and on an early tune with her old bandmates, "Ulele Emini U Makoti", a song composed by Makgona Tsohle Band drummer Lucky Monama.

After Mahlathini left Mavuthela in 1972 following a dispute over royalty payments with Rupert Bopape, he formed a new group called Amakhosazana which found some astonishing success as a performance-only group. This venture lasted only two years, after which the great groaner joined the new black music operation recently started at Satbel Record Company. Cambridge Matiwane, producer of the new subsidiary, busied himself building up a roster of artists to rival the material pumped out of the successful Mavuthela and Isibaya stables. Mahlathini preferred to work in conjunction with a female group, and although the Mahotella Queens remained the sole property of Gallo’s Mavuthela, a new group was formed at Satbel that was simply named The Queens. Pay disputes over at Gallo saw several of the Mavuthela singers move over to Satbel to record with Mahlathini. These included Koekie Makhanya, Mildred Mangxola, Ethel Mngomezulu and Thoko Nontsontwa. The Queens recorded some of the finest female vocal classics one can find. The raw passion and emotion came across in whatever song they sang, be it a ballad (“Siyaniduduza”, “Nginothando”) or a lively and boisterous tune (“Baratsale”, “Mhlobo Mdala”). Also at Satbel was Izintombi Zephepha, a group led by former Mahotella Queens and Izintombi Zesi Manje Manje vocalist Nunu Maseko. The group mostly recorded with singer Victor ‘Mahlabathini’ Zulu, a fine vocalist and groaner.

Mahlathini Nezintombi Zomgqashiyo (or “MNZ”) was a shortlived reunion between the groaner and five of the 1960s line-up of the Mahotella Queens. MNZ, which was put together by Marks Mankwane in 1983 on the back of a nostalgia trip for mbaqanga’s heyday, was named in that way so as not to disturb the Mahotella Queens line-up of that time, which had been stable for some years by that point. Interestingly, MNZ’s 1984 LP Pheletsong Ya Lerato features Mahlathini on only two of the ten tracks, making that particular album more or less an Izintombi Zomgqashiyo project. “Moradi Wa Mofokeng” is perhaps one of the finest songs produced by this line-up. Hilda Tloubatla, one of the most recognisable and popular lead vocalists of mbaqanga's heyday, leads the ensemble here, and the troupe's vocals are nothing short of strong, hearty and passionate. Backed by the unrelenting beat of the Makgona Tsohle Band, this certainly is the “A” team performing at its very best. While Mahlathini Nezintombi Zomgqashiyo busied themselves recording some of their best new material since the 1960s, the latter-day Mahotella Queens led by Emily Zwane solidly carried on recording the wonderful, sturdy, easy-listening material they were famous for. “Moleko Ntlohele” is a rich, watery ballad that spotlights their beautiful, soulful and emotive voices.

Thanks to Siemon Allen for contributing the Mahotella Queens songs “Awuthule Bo” and “Metsoalle Yaka”, and to Chris Albertyn for the equally wonderful songs from the Sweet Sixteens and Mahlabathini. I’m very grateful to both of you for your help in adding to this collection of classic, wonderful jive…

…and now, it’s over to the girls for another dose of goodness from the archives of yesteryear. I sincerely hope you download and enjoy.

YEBO!

CLASSIC MBAQANGA GIRL GROUPS
COMPILED BY NICK LOTAY
VOLUME 4

1. Awuthule Bo*
Mahotella Queens
Gumba Gumba BL 123
1970
FROM THE LP "BEST OF THE MAHOTELLA QUEENS"
*COURTESY OF SIEMON ALLEN

2. Sangena, Sangena
Izingane Zo Mgqashiyo
Motella LMO 110
1968
FROM THE LP "INDODA MAHLATHINI"

3. Salani Kahle
Izintombi Zesi Manje Manje
CBS CB.4007
1971

4. Mmathobela
Mahotella Queens
Gumba Gumba MGG 716
1977

5. Uthuleleni*
Sweet Sixteens
Troubadour SPA 892
1969
*COURTESY OF CHRIS ALBERTYN

6. Siyaniduduza
The Queens
Soweto SWB 136
1974

7. Siya Kwa Mzilikazi
Izintombi Zesi Manje Manje
CBS LAB 4042
1973
FROM THE LP "SIYA EMSHADWENI"

8. Umuzwa Ngedwa
Mahotella Queens
Smanje Manje SJM 7-5
1967

9. Akashaywa Umfazi
Sweet Home Dames
Motella LMO 110
1968
FROM THE LP "INDODA MAHLATHINI"

10. Baratsale
The Queens and Ndlondlo Bashise Band
King KGB 034
1976

11. Metsoalle Yaka*
Mahotella Queens
Gumba Gumba BL 123
1977
FROM THE LP "BEST OF MAHOTELLA QUEENS"
*COURTESY OF SIEMON ALLEN

12. Mathamyizimimyaba*
Izintombi Zephepha
Soweto SWB 14019
1976
FROM THE LP "MAHLABATHINI AND IZINTOMBI ZEPHEPHA"
*COURTESY OF CHRIS ALBERTYN

13. Musu Dlala Ngami
Mahlabathini
King KGB 006
1976

14. Iminyaka Kayifani
Izintombi Zesi Manje Manje
Masterpiece LMS 529
1977
FROM THE LP "IMINYAKA KAYIFANI"

15. Maile
Mahotella Queens
Gumba Gumba BL 226
1980
FROM THE LP "TSAMAYA MORATUOA"

16. Moradi Wa Mofokeng
Izintombi Zomgqashiyo
Gumba Gumba BL 457
1984
FROM THE LP "PHELETSONG YA LERATO"

17. Moleko Ntlohele
Mahotella Queens
Hit Special IAL 4005
1984
FROM THE LP "KHWATHA O MONE"

18. Vulamehlo
S'morden Girls
Masterpiece MS 508
1980

19. Sidlala Yonke Imidlalo
Izintombi Zesi Manje Manje
Masterpiece LMS 529
1977
FROM THE LP "IMINYAKA KAYIFANI"

20. Ha Bo Tle
Mahotella Queens
Gumba Gumba BL 226
1980
FROM THE LP "TSAMAYA MORATUOA"

21. Sikhulekile*
Mahlabathini and Izintombi Zephepha
Soweto SWB 14019
1976
FROM THE LP "MAHLABATHINI AND IZINTOMBI ZEPHEPHA"
*COURTESY OF CHRIS ALBERTYN

22. Nimzwile Umntimande*
Sannah Mnguni Nesimanjemanje
CBS AB 284
1971
*COURTESY OF CHRIS ALBERTYN

23. Nginothando
The Queens and Ndlondlo Bashise Band
King KGB 034
1976

24. Awungifanelanga*
Sweet Sixteens
Troubadour SPA 892
1969
*COURTESY OF CHRIS ALBERTYN

25. Hole Thaba
Dark City Sisters
HMV JP.1002
1966
FROM THE LP "STARTIME VOL. 3"

26. Ulele Emini U Makoti
Daveyton Sisters
Gallo-USA USA 320
1965

27. Sicela Indlela
Izintombi Zesi Manje Manje
CBS LAB 4042
1973
FROM THE LP "SIYA EMSHADWENI"

28. Uyangizungeza Lombemu
Usizwe Namatshitshi
CBS LAB 4022
1971
FROM THE LP "NOMA UNGAYAPHI BAKHALA NGATHI"

29. Mhlobo Mdala
The Queens and Ndlondlo Bashise Band
King KGB 035
1976

30. Sengibuya Emarabini
Mahotella Queens
Motella LMO 110
1968
FROM THE LP "INDODA MAHLATHINI"

RS / MF

ABOVE - IZINTOMBI ZESI MANJE MANJE IN THE STUDIO IN 1976.

FROM LEFT TO RIGHT: LINDIWE MTHEMBU, JANE DLAMINI, RUTH MAFUXWANA, NOBESUTHU SHAWE AND HILDA TLOUBATLA

Satbel Special

During the near two-decade period of mbaqanga’s rule over the townships, the classic combination of girl group, groaner and electric backing band was interpreted in different ways by the record companies who dominated the South African music market. Many of the most popular groups of the day targeted specific sections of the audience, such as Usizwe Namatshitshi, who aligned their particular mbaqanga sound with the more “rural” members of the record-buying black public. Others, like the Mahotella Queens, attempted to keep their reach as broad as possible, with recordings made in “traditional”, soul and typical pop sounds. The black music production units of the local companies consciously and obviously avoided targeting its entire product on one sector, but some companies often exuded and emitted a particular trademark sound on every recording it crafted. The indigenous music produced by the Satbel Record Company can be best described as a very interesting mixture of raw energy and easy listening. The honest emotions released through the artists’ performances are abundantly clear to hear, and one cannot help but sit back and marvel at such soulful pieces of work. This compilation collects some of the finest material released on the Satbel labels during the mid-1970s, a time when mbaqanga had perhaps already peaked in its popularity as the sound of the townships – but no hell was about to bar the way of musicians who enjoyed what they were doing.

Most of the examples representing Satbel’s 1970s mbaqanga productions are of Mahlathini, the rightful king of the groaners and perhaps South Africa’s most recognisable male vocalist. The sound of Mahlathini’s music at Satbel was somewhat more energetic and fierce than it had been at Mavuthela, where he had recorded between 1964 and 1972 (he briefly joined EMI in 1972, before moving to Satbel in 1973). It was with Mavuthela’s Mahotella Queens and the Makgona Tsohle Band that Mahlathini soared to stardom, recording some of the most hypnotic, infectious and impassioned mbaqanga music ever laid down on wax. But the overarching component in the music of Mahlathini’s Satbel years is raw emotion. It is a feeling that can be heard in every single element of a song, from Raphael Ngcamphalala’s lead guitar, to Mahlathini’s defiant but somehow poignant roars, to the beautiful serenity of the voices of Mildred Mangxola and her fellow Queens (a separate but related group of singers to Mahotella). This brilliance was, thankfully, bottled for us to all drink and enjoy. Aside from The Queens, Mahlathini also recorded with a quartet known as the Mahlathini Girls. Featuring Lindiwe Gamedi, Hilda Tausi, Gugu Sithole and Beauty Radebe, the group actually recorded mostly with fellow groaner Joe Mdluli. Their 1975 single, "Baya Ngi Hlega", is a masterpiece.

Also on the roster was a wonderful instrumental team called The Soweto Boys, whose captivating and inexplicably catchy tunes could give the Makgona Tsohle Band a run for its money. George Mangxola provided the beautiful lead guitar, Christian Nombewu played the essential rhythm guitar and John Galela held the melody together on bass. Noah Nduweni usually provided the alto saxophone lead. The Boys’ sax jive tunes are certainly foot tapping – their recording of “Kumnandi” is perhaps one of my favourite songs, with its repetitive melody and somewhat hilarious introduction featuring a studio-full of musicians bursting into laughter. The Naughty Boys appear to be the same line-up of musical players, with a keyboard joining the mix on the straightforward “Again and Again” number featuring an archetypal spoken introduction.

I hope you enjoy this eclectic collection of powerhouse mbaqanga sounds. For me, these songs are some of my personal favourites. They are yet more examples of the indestructible beat… the music that will never die… let’s keep the torch flaming!

SATBEL SPECIAL

COMPILED BY NICK LOTAY

1. Abake Ba Bonana

Mahlathini and The Queens

King, 1975

2. Ngiyeke Ngiyoshela

Mahlathini and The Queens

Soweto, 1975

3. Kubuhlungu Ukungaleli

Us’gebengu and Mo Magilogilo

King, 1977

4. East Rand Special

The Soweto Boys

Soweto, 1974

5. Ngibhala Izincwadi

Mahlathini Girls

King, 1975

6. Umngane Wami

The Mellotone Sisters

King, 1976

7. Kumnandi

The Soweto Boys

Soweto, 1974

8. Thula Mama

Mahlabathini and The Jive Kings

Groove, 1977

9. Umkhwenyana

Mahlathini and The Queens

King, 1975

10. Bathathe Kid

The Soweto Boys

Soweto, 1974

11. Again and Again

The Naughty Boys

King, 1976

12. Maye Maye Baba No Mama

Zwelibi Zulu

Soweto, 1975

13. Selimathunzi

Mahlathini and The Queens

Soweto, 1975

14. Baya Ngi Hlega

Mahlathini Girls

Soweto, 1975

15. Kubuhlungu

Mahlathini and The Queens

King, 1975

16. Zolile

The Queens

Soweto, 1975

RS / MF

Mahlathini - Kudala Besibiza (1978)

Electric Jive presents an album containing some of the best 1970s material recorded by Simon 'Mahlathini' Nkabinde, perhaps the greatest male mbaqanga vocalist. I could not resist sharing this LP with you - some of my favourite songs are included on this album, which features Mahlathini in brilliant voice at the height of his career.

The "groaning" vocal style that became Mahlathini's most recognisable musical feature was originated not by him, but by Aaron Lerole, a member of the pennywhistle group that Nkabinde's older brother Zeph co-formed, Alexandra Black Mambazo. Lerole, who developed this vocal style to attract people on the streets where the group performed, was not a natural bass singer and ended up ruining his voice permanently. Zeph took over the reigns by the later 1950s when the group began introducing five-part harmonies into their performances. Mambazo was by now under contract to EMI under the auspices of producer Rupert Bopape. Simon, who was growing up to be a fine singer with a unique "gruffness" and baritone quality, was convinced by Zeph to join the group at EMI. So began a colourful and productive career.

At EMI, Simon featured prominently on lead vocals in Black Mambazo recordings, and often fronted the legendary recordings from EMI's girl group team, who recorded under names like the Dark City Sisters, the Flying Jazz Queens and the Killingstone Stars. Simon, informally known as Mahlathini, was also recording solo hits of his own as "Boston Tar Baby". Gallo Africa poached Bopape early in 1964, and he brought a selection of musicians - including Simon - over to the new Mavuthela division. With the new house band - the Makgona Tsohle Band - providing the all-important instrumental backup, alongside the Mavuthela girl group team - most well-known as the Mahotella Queens - providing the essential vocals, Simon completed the triumvirate as Mahlathini. Mahlathini and the Mahotella Queens enjoyed a very successful recording and touring period in South Africa and neighbouring countries until 1972, when Mahlathini fell out with Bopape over royalties.

Mahotella continued as normal, filling the gap with groaner Robert 'Mbazo' Mkhize, when Mahlathini decided to leave Gallo. However, his popularity perhaps hit an all-time high when he joined Satbel under producer C. B. Matiwane (and later under the production of Wilson Ndlovu). At Satbel, Mahlathini was backed by The Queens, a new girl group that held a very familiar name to his last one. Several of the original Mahotella members, including Mildred Mangxola, made the move to Satbel to become key singers and composers in The Queens. The creative was also bolstered by the presence of musicians from both Gallo-Mavuthela and GRC-Isibaya Music, such as Selby 'Bra Sello' Mmutung, who provided alto sax and additional male vocals in addition. Mahlathini was also joined by Lazarus 'Boy Nze' Magatole, a wonderful groaner in his own right.

Mahlathini's 1970s career at Satbel was decorated with a solid and consistent sound. The fierce, raw energy of this selection of musicians came across in every song that they produced. Such powerful recordings like "Bhula Mngoma", "Umkhovu" and "Abake Ba Bonana" are classic Mahlathini. The Queens, meanwhile, could also hold their own without the King - "Isitimela", for example, combines  only their beautiful voices with the combined prowess of Raphael Ngcamphala (lead guitar), Nunu Luphoko (rhythm guitar) and Alfius Madlokovu (bass).

This compilation of material recorded between 1974 and 1977 gives you a taste of Mahlathini's '70s rough-cut mbaqanga at its finest. This music is explored further in the fantastic Earthworks compilations The Lion of Soweto (1987) and King of the Groaners (1993), the first of which led the way in bringing the King's music to a wider international audience. I hope you enjoy Kudala Besibiza!

MAHLATHINI

KUDALA BESIBIZA

produced by C. B. Matiwane/Wilson Ndlovu

Music for Pleasure MFP PP 80200

1978

Zulu Vocal

RS / MF

Classic Mbaqanga Girl Groups - Vol. 3

ABOVE - THE MAHOTELLA QUEENS IN 1980.

CLOCKWISE FROM TOP LEFT: CAROLINE KAPENTAR, THANDI NKOSI, EMILY ZWANE AND SHEBA MALGAS

There comes a time when a particular song becomes ingrained in your mind. Every tune in this mix has been, at one time or another, one of those songs for me. Electric Jive is proud to present another installment of Classic Mbaqanga Girl Groups, our ode to the black South African songbirds of the 1960s and the 1970s. In this, the third volume, more rare gems from the archives are presented for you to enjoy – but I have decided to dispense with the usual format of a long mix in a single MP3 and instead provide you all with a compilation of individual tracks. The first two mixes in this series combined have been downloaded 1809 times (as of 22/10/12), which shows how well liked this particular form of female harmony sound is among the EJ followers – but I have taken into consideration the lack of flexibility of the single MP3. Many of you will have your own particular favourites to listen to, so I hope the new method of sharing the tracks individually is more helpful!

Without further ado, let us now shine some light on the people responsible for such beautiful music.

“Silihambile Ilizwe” features the 1972 incarnation of Izintombi Zesi Manje Manje, here fronted by resident groaner Mthunzi Malinga. The resonating guitar and soft vocals of the girls endeared me to this song almost as soon as I first heard it. Mthunzi weaves in and out of the girls’ harmonies with guttural moans, while Nobesuthu Shawe solos in the number with expressive beauty. The song refers to the amazement and excitement of travelling across the country to perform for appreciative audiences who clap their hands vigorously. It is a true gem of a song, and one that I am glad to share with you. One of Izintombi Zesi Manje Manje’s early recordings, “Shela Wethu”, features some lovely vocal work in combination with the classic elasticated mbaqanga rhythm section.

“Ngibuzindlela” is perhaps the best example of the female vocal mbaqanga that sold very highly during the 1960s, should one ever need to select one single track to represent the genre during that era. The track has all the key elements, from the bouncy electric rhythm and bass to the watery lead guitar, the smashing brushed snare, and – of course – the close harmony of the Soweto Stars, the group merely being another name used by the Mahotella Queens. The five ladies on this song were the most famous and well known of all the Queens line-ups. Hilda Tloubatla fulfills the role of the strong-voiced woman lead singer here (belting out the vocals with utter proficiency has perhaps become one of Hilda’s most familiar trademarks in all her 50 years of recording!), answered by the rest of her team with a superb response. “Uhlathana” is another classic hit from the Mahotella Queens repertoire, recorded in 1970. A different grouping of the same pool of ladies sing in a rough-and-ready manner, raw mgqashiyo singing at its best, while the Makgona Tsohle Band provide some of the best instrumental accompaniment I have ever listened to. A great number not to be missed!

Another popular group back in the day was the Mthunzini Girls. Originally, the name was just yet another cover for the pseudonymous work of the Mavuthela girl group team, but by 1966, had evolved into a separate unit led by Julia Yende. This group, also featuring Virginia Teffo, Teddy Nkutha and Windy Sibeko, recorded some of the Girls’ best-selling material, often fronted by the regular Mahotella Queens groaner, Mahlathini – but the singers eventually dispersed. By 1972 it had settled down into a more stable unit. John Moriri was now the male lead of the group for the last four or so years (but he was eventually to depart, being replaced the year after by Robert ‘Umfana Wembazo’ Mkhize), with the Girls comprising Beatrice Ngcobo, Phyllis Zwane, Thandi Nkosi, Maseri Nombembe, Beauty Radebe, Barbara Shabalala, and others. One of the latter-day Mthunzini Girls hits was “Uyadelela”, a lovely song with the vocal and guitar patterns evocative of traditional Zulu music. Also included here is a 1968 song called “Umnumzane”, which although released with the Mthunzini name, is actually a Mahotella Queens song – unusually late in the decade for that practice to still be in use. It is, nonetheless, a nice tune!

You will find that many of the tracks in this mix benefit from exquisitely beautiful guitar work. The Satbel black music team of the 1970s featured a talented collection of lead guitarists such as Raphael Ngcamphalala, George Mangxola, Michael Nyembe whose distinctive handiwork helped to create an airy, atmospheric sound to the recordings of the Mellotone Sisters, Indoda Mahlathini and The Queens, Victor ‘Mahlabathini’ Zulu, and many others. The two numbers contained here by The Queens (the girl group that backed Mahlathini whenever he was away from Gallo–Mavuthela’s Mahotella Queens) are gems in their own right. Koekie Makhanya, Mildred Mangxola, Isabel Maseko, Agnes Mhlauli, Thoko Nontsontwa, Joyce Twala and Paulinah Zulu provide richly sumptuous vocals and march through the tunes in stunning synchronization, backed by Ndlondlo Bashise (who were also credited in equal measure as The Mahlathini Guitar Band).

“Siyobona umdlalo omusha – iDisco! iDisco! iDisco!” sing the Mthembu Queens. The new late 1970s music craze ebbed away at mbaqanga’s longstanding popularity in the townships, but that’s no problem for these ladies. They’re going to Soweto to see this new disco music in action! We’re doing the disco dance! The song in question, “Asambeni”, is completely un-disco to the point of confusion. This is a female mbaqanga classic, it could not be further from disco music, with guitars scratching all over the melody alongside some wonderful vocal talent. The Mthembu Queens, one of the few successful new girl groups of the 1970s, also give us the sweet serenade “Julieta”, the message of a man’s love for a woman who doesn’t appreciate him in the same way. No more remains to be said – just listen to their passionate and mesmerising voices.

That new disco music did indeed eventually force mbaqanga producers to alter the familiar sound somewhat. A heavier drum mix combined with the 1970s soul organ entered the studio, and the trademark bouncy rhythm guitar was retired, to be replaced by either a second lead guitar – or, in many studios, nothing at all. The lead guitar and bass remained the key elements of mbaqanga even into the 1980s. But while the Soul Brothers were leading the way with their popular mbaqanga-soul fusion, the Mahotella Queens were still quietly and confidently going about their business – bizarrely, to some degree of success. Alto vocalist Beatrice Ngcobo leads the ladies in fine voice in the 1982 song “Malume”, a young woman’s wish for her uncle to forgive her for all the unforgiveable things she did as a youngster. I’m so sorry my uncle, sings Beatrice. I’m so sorry… I’d like to return home to my family, continue the Queens. The ladies managed to hang onto some of their popularity well into the 1980s, and producer Marks Mankwane even saw fit to reunite five of the original Queens together with Mahlathini under a brand new grouping entitled Mahlathini Nezintombi Zomgqashiyo (or “MNZ”). The MNZ group and the Mahotella Queens, rather oddly enough, existed alongside each other and remained two separate units. One of the MNZ songs recorded without Mahlathini, “Ha Ke Tsebe” from 1984, has been included in this compilation. It is a typical love song with nice and relaxed singing.

I am indebted to Laurent Dalmasso for contributing three wonderful tracks from the early years of mbaqanga, taken from 78 rpms – “Andikathale” by the Joy Sisters, “Lamalobalemabane” by the Soweto Stars and “Moratuoa” by the Slick Sisters. Another thanks to our own Chris Albertyn for contributing two fantastic numbers – “Lepae Laka” by The Queens and “Jabulani Balaleli” by Amaqawe Omculo.

I hope you’ll enjoy Classic Mbaqanga Girl Groups – Vol. 3. Download the music, take in the sublime melodies, and do help us to spread the fact - the fact that old school South African female harmony was just as kickass as anything these hip-hop youngsters throw at us today.

Give it up one more time for the girls! YEBO!

CLASSIC MBAQANGA GIRL GROUPS – VOL. 3

1. SILIHAMBILE ILIZWE – UMTHUNZI NEZINTOMBI ZESIMANJEMANJE (1972)

2. AMAZING GRACE (SIMAKADE) – MAHOTELLA QUEENS (1972)

3. WE BABA ZALA – MAHLOKOHLOKO STARS (1966)

4. ANDIKATHALE – JOY SISTERS (1962)

5. NGIBUZINDLELA – SOWETO STARS (1968)

6. MALOME OREKILE SEPANE – S’MODERN GIRLS (1971)

7. UHLATHANA – MAHOTELLA QUEENS (1970)

8. SHELA WETHU – IZINTOMBI ZESI MANJE MANJE (1967)

9. UMNUMZANE – MTHUNZINI GIRLS (1968)

10. LAMALOBALEMABANE – SOWETO STARS (1965)

11. BEKEZELA – MELLOTONE SISTERS (1976)

12. ASAMBENI – MTHEMBU QUEENS (1977)

13. HA KE TSEBE – IZINTOMBI ZOMGQASHIYO (1984)

14. DITABA TSA HAO – THE MATTERS (1980)

15. MALUME – MAHOTELLA QUEENS (1982)

16. MENATE YA LEFATSHE – THE MATTERS (1980)

17. JULIETA – MTHEMBU QUEENS (1977)

18. IQHUDE – DYNAMIC SISTERS (1966)

19. SEKULU KHUNI – THE QUEENS (1976)

20. JABULANI BALALELI – AMAQAWE OMCULO (1972)

21. UYADELELA – MTHUNZINI GIRLS (1972)

22. MORATUOA – THE SLICK SISTERS (1962)

23. SEKUYASA – MAHLABATHINI (1975)

24. LEPAE LAKA – THE QUEENS (1975)

25. AMAZWE NGAMAZWE – MTHEMBU QUEENS (1977)

RS / MF

Classic Mbaqanga Girl Groups – Vol. 2

The black South African music scene of the 1960s and ‘70s was dominated by a unique electric jive sound that was later christened mbaqanga. For almost its entire near-twenty year rule over the country, mbaqanga’s most distinctive feature was the all-female close harmony sound, sometimes augmented by the booming bass vocals of a gruff male singer. The girl group of South Africa was partly modelled on the girl group of the USA. The smooth arrangements of The Andrews Sisters, the tight harmonies of The Shirelles and the sex appeal of The Supremes – combined with a modern African twist – helped to create such memorable groups such as the Dark City Sisters, the Mahotella Queens, Izintombi Zesi Manje Manje, and countless others that still sit fondly in the memories and minds of many today, young and old. Today, Electric Jive presents another special mix of tunes: Classic Mbaqanga Girl Groups – Vol. 2.

In our first installment, we elaborated extensively on the histories of these wonderful groups, so we shall not repeat ourselves. Vol. 2 contains recordings from the artists mentioned above (and many more), released between 1962 and 1981. This mix is bookended by the ladies who started it all – the Dark City Sisters, with two wonderful ballads from 1968 and 1962 (the latter recorded under one of their other pseudonyms, the Killingstone Stars) sandwiching this mbaqanga feast. The Sisters also bring us a tune from 1981, by which time they had conformed to the mbaqanga sound of that particular era – but the golden voices of Joyce Mogatusi, Doris Ntuli and Grace Moeketsi still shine through wonderfully.

The ones who took the torch from the Sisters and kept it burning brightly throughout mbaqanga’s heyday, the Mahotella Queens, are represented generously here with several classic numbers, all of them sublime – and three of them recorded using their other pseudonyms: Soweto Stars, Izintombi Zomqashiyo and Dima Sisters, spotlighting the voices of various members including Olive Masinga, Hilda Tloubatla, Ethel Mngomezulu and Thoko Mdlalose. The Mahlathini Girls are here as well with two numbers fronted by male singer Joe Mdluli (something of an irony considering the group’s name…), as are Mahlathini’s wonderful backing group The Queens (led by Mildred Mangxola), with a small selection of enjoyable tunes. Irene Mawela, that saccharine-voiced sweetheart of the 1970s, features in our mix with something of a diversion: her voice may well be the only female presence in the line-up The Zebras, but it is a wonderful number well worthy of inclusion, and in any case, Mawela herself was a massive contributor to the ‘70s girl group. She also appears on two classic 1973 recordings made with the Mgababa Queens, contained in this mix and categorised “Soul Vocal Jazz” on the original label.

So… let’s hear it for the girls. More biographical information on these (and associated) artists can be found elsewhere on Electric Jive… but feel free to post any thoughts or queries in the comments section. All that remains to be said is... enjoy! YEBO!!

Classic Mbaqanga Girl Groups - Vol. 2
1. ONTSEKISANG – DARK CITY SISTERS (1968)
2. OH! BABA OMKHULU – MAHOTELLA QUEENS (1972)
3. NKHONO OAKA – THE ZEBRAS (1976)
4. NGIZOKWENZANI MAHLALELA – SOWETO STARS (1968)
5. SIDL’ IMALI ZETHU – MGABABA QUEENS (1973)
6. IZINDABA ZABANTU – MAHOTELLA QUEENS (1973)
7. UMFOKANKOSI – MAHLATHINI AND THE QUEENS (1976)
8. UTHULI LWEZICHWE – MAHOTELLA QUEENS (1977)
9. HHEM, HHEM, HHEM – MTHUNZINI GIRLS (1971)
10. KEBA BONE – THE QUEENS (1977)
11. MAJAZANA – MTHUNZINI GIRLS (1972)
12. MAMA ZALA – MAHLATHINI GIRLS (1975)
13. KUDALA BEKUSHO – THE QUEENS (1977)
14. AKULALWA ESOWETO – MGABABA QUEENS (1973)
15. SUZIE UYANGIPHOXA – MAHOTELLA QUEENS (1979)
16. LERATO LARONA – DARK CITY SISTERS (1981)
17. TSHEPO – S’MORDEN GIRLS (1980)
18. UMZIMBA OKHALIMALI – THE QUEENS (1977)
19. LAKHALA IQHUDE – MAHOTELLA QUEENS (1972)
20. WAKHALA UMNTWANA – MAHLATHINI GIRLS (1976)
21. THATHU KISI – DARK CITY SISTERS (1966)
22. BUYA BUYA – SOWETO STARS (1966)
23. USIKHESHE KHESHE – IZINTOMBI ZOMQASHIYO (1968)
24. THEMBELENKOSINI – DIMA SISTERS (1964)
25. EMANXIWENI – KILLINGSTONE STARS (1962)

RS / MF

Classic Mbaqanga Girl Groups! - A Special EJ Mix

Continuing the mbaqanga theme (if you haven't already, see Chris Albertyn’s excellent post featuring, among others, West Nkosi, Reggie Msomi, the Mthunzini Girls, and a jive-tastic Nick Moyake), Electric Jive today presents another "EJ mix" of classic mbaqanga material – featuring tunes from some of the great female mbaqanga groups of the 1960s and the 1970s.

In the mix, we spotlight some well-known groups and vocalists. Here are a few insights into the artists that form the basis of today’s special posting.

Top of the list here at EJ is undoubtedly the Mahotella Queens (who also recorded as Soweto Stars, Izintombi Zo Mgqashiyo, Mahlokohloko Stars, Sweet Home Dames, and Dima Sisters), whose signature vocal and dance styles put them on the road to stardom during the mid-to-late 1960s. Backed by the Makhona Tsohle Band and fronted most of the time by their king, Simon “Mahlathini” Nkabinde, the Queens ruled supreme from 1964 until the late 1970s, when female groups – along with the popularity of mbaqanga generally – began to wane. More than thirty female singers have at one time constituted the line-up of the Mahotella Queens, though their stage appearances have never featured more than six ladies at a time. The more notable members over the years have included sopranos Hilda Tloubatla, Nunu Maseko, Emily Zwane and Thandi Nkosi, altos Juliet Mazamisa, Nobesuthu Shawe and Windy Sibeko, and tenors Mildred Mangxola and Caroline Kapentar among many others. The current line-up of the Queens contains three of the original 1960s team, and they continue to draw big audiences (particularly in Europe) to this day. See here for a much fuller history of the Queens, get the first Queens LP here, and see here for a special EJ mix devoted to Mahlathini.

Of equally significant importance is Izintombi Zesi Manje Manje, who were formed in 1967 as a rival team to the Queens. By the time Izintombi was formed, the Queens had set in stone their unique styling and were the yardstick by which other female mbaqanga groups were measured. But with a line-up that included – at various points – Sannah Mnguni, Nunu Maseko, Thoko Khumalo, Jane Dlamini, Nobesuthu Shawe and Lindiwe Mthembu – it wasn’t easy for the Mahotella Queens of the 1970s to keep up with Izintombi! The classic live line-up of the early 1970s was the trio of Jane Dlamini, Lindiwe Mthembu and Nobesuthu Shawe (stood on the stage in that order), but the recording line-up also featured Ruth Mafuxwana and Hilda Tloubatla in prominent voice. Izintombi Zesi Manje Manje members also recorded under the name S’Modern Girls. Along with the Mahotella Queens, Izintombi found it hard going to sustain their popularity into the 1980s, even with a revised sound. Two mushroomings of the original group still exist to this day but only on very small, local scales. Here is a collection of some of Izintombi’s best 1960s material, and here is a share of one of their late 1970s albums.

Julia Yende’s strong vocal talent rose her to the top. She started first with the Dark City Sisters in the early 1960s, and then in the Mahotella Queens from 1966. Her talent earned her the love of king Mahlathini and then, following a brief spell in the Queens recording and touring line-ups, a group of her own: the Mthunzini Girls (previously one of the loose pseudonyms used for the Queens).

Mthunzini Girls usually comprised Yende alongside Windy Sibeko, Thoko Mdlalose, Virginia Teffo and Teddy Nkutha in their 1960s heyday, but by the early 1970s, opened up to include Olive Masinga, Phyllis Zwane and Irene Mawela. Some of the more junior Mthunzini Girls members also recorded under the name Izingane Zo Mgqashiyo. Another notable group who also recorded under the Izingane Zo Mgqashiyo name is Izintombi Zomoya, featuring (most notably) Thandi Nkosi, Caroline Kapentar, Beatrice Ngcobo, Constance Ngema and Eunice Kwekwe – some of whom became talented enough to rise through the ranks and join the Mahotella Queens frontline in the late 1970s and early 1980s. See here for an excellent 1973 Izintombi Zomoya album.

By all means a first-rate act, the one and only Dark City Sisters were a vital part of the mbaqanga girl group scene of the 1960s. Formed in 1958 and quickly becoming South Africa’s most popular female group of the early ‘60s, the Sisters were at the forefront of the shift from the old marabi swing rhythms to the harder, sturdier and yet more traditional jive sound of the 1960s. At the helm of the group in spite of an ever-changing line-up was the sweet-voiced Joyce Mogatusi. Various groupings of the Sisters also recorded as the Killingstone Stars and the Flying Jazz Queens. Some of the most significant voices to grace the Sisters throughout the years aside from the great Mogatusi include Nunu Maseko, Esther Khoza, Grace Msika, Audrey Zwane, Doris Ntuli and Emily Zwane. After the formation of the Mahotella Queens and subsequent growth of Izintombi Zesi Manje Manje, the Sisters were forced to update their soft styling to the new, tough mbaqanga. The Sisters remained popular and active, but in the shadow of these new, younger groups. After a brief split in 1971, the group returned with Joyce at the helm in 1973.

The Sisters continued to record and perform until the early 1980s when they again split up. They were back again by the end of the decade, though, and recorded a comeback album in 1994 (which we hope to share with EJ readers sometime soon). The Sisters are still around in one form or another today, featuring the magic duo of Joyce Mogatusi and Grace Moeketsi (formerly Msika) – both of them still golden voices in their golden years. Here is a classic album of their very early (1960 – 1962) material.

Irene Mawela was seventeen years of age when Rupert Bopape saw her singing at a wedding in Limpopo. Impressed with her sweet, saccharine vocals, Bopape quickly brought her to Johannesburg (one assumes with Irene’s parents’ permission!) and so she began a lengthy career as a studio singer: first with Bopape at EMI (and in such legendary line-ups as the Dark City Sisters and the Killingstone Stars), then with Cuthbert Matumba at Troubadour, then under Daniel Makhubela at Trutone, and finally back with Bopape at Gallo’s Mavuthela in 1969. At the company she began recording with a small session quintet under the names Irene and the Sweet Melodians, and the Mgababa Queens. She also recorded her instantly recognisable voice onto hits by the Mthunzini Girls and Izintombi Zomoya, the lower-tier girl group line-ups. Bopape and Mawela grew close and, by the mid-1970s, were man and wife. Further into the 1970s, Bopape and Mawela began working together more closely in the studio – writing together and later on singing together. Mawela graduated up into the line-up of the Mahotella Queens around 1978, where she stayed for a few years before launching her own solo career.

Lastly, The Queens (not the Mahotella Queens!) were the tight band of female singers who backed Mahlathini at Satbel Record Company (from 1972 to 1977) and EMI (1978 to c. 1980). When Mahlathini left Gallo-Mavuthela in 1972, some of the Mahotella members followed him, creating the newly-formed The Queens. Most notably Mildred Mangxola (the leader of The Queens), Jane Makhanya, Nunu Maseko and Thoko Nontsontwa. The other singers included Paulina Zulu, Jane Twala, Belinda Sithole and Agnes Mhlauli. Although they primarily served as Mahlathini’s backing group, they sometimes recorded their own fantastic songs – two of the best are contained here.

The thirty wonderful tunes in this EJ mix were originally recorded between 1962 and 1977, at the height of mbaqanga's rule over the townships of South Africa. Tough guitar, pounding bass, growling basses, and sublime female close-harmony vocals. What more could one ask for?

Do yourself a favour... download this mix, listen to these fantastic grooves, and get ready to jive 'til you drop! YEBO!

Classic Mbaqanga Girl Groups!

1. THOKO - MAHOTELLA QUEENS (1964)

2. LALELA MNTANAMI - KILLINGSTONE STARS (1962)

3. UMKHWEKAZI - DARK CITY SISTERS (1962)

4. HAMBA PHEPHA LAMI - IZINTOMBI ZO MGQASHIYO (1967)

5. KHANYISANI ISIBANI - IZINTOMBI ZOMOYA (1973)

6. UMKHUMBI KA NOAH - IZINGANE ZO MGQASHIYO (1969)

7. ISINKWA NOBANANA - IZINTOMBI ZESI MANJE MANJE (1967)

8. SILANDELA UMGQASHIYO - MTHUNZINI GIRLS (1967)

9. MAKOMANE - DIMA SISTERS (1964)

10. WOZA MABALANE - MAHLOKOHLOKO STARS (1967)

11. UMAHLALA EHLATHINI - IZINTOMBI ZESI MANJE MANJE (1971)

12. HOLE THABA - DARK CITY SISTERS (1966)

13. EVELYN - KILLINGSTONE STARS (1962)

14. SPONONO - DARK CITY SISTERS (1967)

15. MMATHOBELA - MAHOTELLA QUEENS (1977)

16. IGAMA LAMI - IZINTOMBI ZOMOYA (1975)

17. REKENI KASE JUALEJUALE - S'MODERN GIRLS (1974)

18. MMADITABA - IRENE & THE SWEET MELODIANS (1975)

19. ISITIMELA - THE QUEENS (1976)

20. LETLAPA LABUTSOA - DARK CITY SISTERS (1974)

21. THAKA TSESO - IZINTOMBI ZOMOYA (1971)

22. DUMAZILE - SWEET HOME DAMES (1968)

23. ISALUKWAZI - IZINTOMBI ZESI MANJE MANJE (1967)

24. MMAMOKWANGTITI - DARK CITY SISTERS (1967)

25. AMAZONDO - MTHUNZINI GIRLS (1967)

26. NTSHWARELE NTATE - MAHOTELLA QUEENS (1975)

27. ZOLILE - THE QUEENS (1975)

28. AWUFUNI UKULANDELA NA? - S'MODERN GIRLS (1974)

29. EZOMCULO - DARK CITY SISTERS (1974)

30. SESHEGONG SAMELODI - DIMA SISTERS (1967)

RS / MF