Dudu Pukwana and the Jazz Disciples (1964)

L-R: Barney Rachabane, Dennis Mpale (drums) Tete Mbambisa,
drummer Timmy Kweblulana on bass. (Pic: Ian Huntley)

The Room at the Top (featured in the picture above) was another Cape Town live jazz venue that hosted legendary performances in the 1960s. Two things are striking about this picture of Ian Huntley's: Two of the musicians have swopped roles, with trumpeter Dennis Mpale playing drums, and drummer Timmy Kwebulana playing bass (he toured with Victor Ntoni for the Japan performances of Meropa).

This picture of Tete Mbambisa sitting on a very makeshift piano stool also tells a story of challenges of a different kind. Ian Huntley recalls that the particular piano featured in the picture - and in the recordings shared below - had one fairly important key that simply did not work. The genius that was Tete Mbambisa improvised around his found circumstances. My own limited musical expertise means I did not hear any difference in the recording shared here - perhaps you might notice?

My journey of working on Ian Huntley's jazz archive is approaching an important milestone. The promised book of Ian's pictures has moved to the design and layout phase, with the release scheduled for mid-November this year. Without giving too much away, the book will contain more than 100 pictures chosen by Ian, a short biography of Ian, an essay by Jonathan Eato, and a full discographical listing of the more than 56 hours of recordings made by Ian.

Photographer Cedric Nunn was engaged to work long hours in restoring the digitally scanned black and white and colour images to their pristine original selves, taking away years of residual fungus and scratch marks.

Electric Jive's 'very own' Siemon Allen is voluntarily giving a huge chunk of his time to design the book and lay it out ready for the printers. Siemon is currently a Guggenheim Fellowship holder.

So, what better way to celebrate the anticipation of the launch of a book of Ian's photos than with these rather special recordings made by Ian before Dudu Pukwana left the country with the Blue Notes in July 1964.

Pukwana joins the Jazz Disciples in giving us seven tracks extended over more than two hours, including local compositions Vortex Special (Chris McGregor) Mr Mecca, Tete's Jump, and Leads Dwana (Tete Mbambisa). Due to size, the files are split into two downloads.

Please enjoy!

If you have not yet had chance to access previous posts of Ian's Cape Town jazz archive on Electric Jive (it stretches back to April 2012), use the search function in the right-hand box of this blog and look for "IBH Jazz".

Tape 18   Room at the Top (1964)

7 tracks at 2:11:25

Dennis Mpale (trumpet), Ronnie Beer (tenor sax), Dudu Pukwana (alto sax), Tete Mbambisa (piano), Martin Mgijima (bass), Max ‘Diamond’ Dayimani (drums).

1. Milestones (31:54)

2. Mr Mecca (15:25)

3. Leads Dwana (11:32)

4. Bag’s Groove (15:36)

5. Tete’s Jump - incomplete (19:30)

6. Arabia (18:21)

7. Vortex Special (20:26)

Part 1:  Mediafire here

Part II:  Mediafire here

Dyani and Pukwana’s last South Africa gig

 

Max Dayimani - This picture taken by Ian Bruce Huntley
at the Langa Stadium in 1972

This previously unreleased recording marks the very last time that Johnny Dyani and Dudu Pukwana performed in South Africa, days before going into exile with Chris McGregor and the Blue Notes via the Antibes Jazz Festival in July 1964. Captured at “The Room At The Top” in Cape Town by Ian Bruce Huntley, this live gig represents a poignant last union and “point of fracture” from which six very talented artists struck out to seek their respective musical fortunes.

I am hopeful that those jazz enthusiasts among you might want to share your thoughts on the arrangements and interpretation of these four tracks spanning just over seventy minutes. For all these musicians July 1964 in Cape Town was a big turning point, for some, a leap into unknown fragmented futures scattered across the globe. I cannot hear this music without this uncertain emergent context in mind. Read Tony McGregor describing the ‘journey of faith’ here.

 

On the opening track of the concert Ronnie Beer’s tenor sax leads into Dizzy Gillespie’s ‘Night in Tunisia’ with a strong upbeat performance. The introduction of Dennis Mpale’s trumpet in the fifth minute shakes it all up, setting the scene for a vibrant evening of musical conversations pivoting around the swinging Johnny Dyani bass and tight drumming from Max Dayimani, punctuated by Tete Mbambisa’s bubbling piano.

 

Before Dudu Pukwana joins in for the last two tracks, Ronnie Beer further demonstrates his class with the band rendering his own upbeat composition, ‘Immediately’. Bra Tete does his own bit of vocal scatting following his fingers in joyful moments of letting go.

The towering Dudu Pukwana summonses attention in the opening of ‘Green Dolphin Street’,(thanks Jonathan for the correction) before the conversation meanders comfortably along, providing spaces for exploratory solos. It is an historical sadness that a beautiful Pukwana solo is abruptly interrupted for what was the end of one side of Ian’s reel-to-reel tape.

Each listening of Dudu Pukwana’s plaintive alto sax on the essentially gloomy final track, “Close Your Eyes” sparks my own imagining of emotional turmoil and uncertainty. Introduced by Dennis Mpale on trumpet over an ever-swinging Dyani-Dayimani rhythm, and preceded by Ronnie Beer on tenor sax, Pukwana enters in the seventh minute in muted protest, which unwinds over ten minutes of exquisite contemplation. But then, approaching seventeen minutes in, the ever playful Tete Mbambisa (piano) starts to swing with Dyani and Dayimani, letting out yelps and whoops of appreciation in the music’s moment. Following a brief Dyani solo, Ronnie Beer interjects on tenor sax in the 21^st minute to ‘hayibo’ shouts of appreciation, followed by Dennis Mpale’s uplifting trumpet. Somehow, after that Pukwana’s final and brief closing re-entry sounds more resolute.

 

All the recordings by Ian Bruce Huntley were made with the explicit support and permission of the band members recorded. Ian has agreed to Electric Jive sharing these recordings freely on a non-commercial basis as a means of honouring the musicians and ensuring that this important legacy does not become lost.

 

There are four earlier postings from Ian Huntley's jazz archive on Electric Jive - if you have not yet downloaded them, follow these links:

Winston Mankunku gem

Love for Free: Hidden South African Jazz Archive revealed

The Blue Notes: A Journey of Faith

Becoming Free In Cape Town

LAST NIGHT AT THE ROOM AT THE TOP (1964)

Johnny Dyani - Bass; Dudu Pukwana - Alto Saxophone (tracks three and four only); Ronnie Beer - Tenor Saxophone; Dennis Mpale - Trumpet; Tete Mbambisa - Piano; Max Dayimani - Drums

1. Night In Tunisia – Dizzy Gillespie (15:21)

2. Immediately – Ronnie Beer (15:46)

3. Green Dolphin Street (16:01)

4. Close Your Eyes – Bernice Patkere (23:55)

Rapidshare download here

Mediafire download here