The album has its own sense of completion, rendering songs that passionately pump and drive alongside others saturated with contemplative beauty. I spun this record on a rainy Sunday afternoon in Durban, and the resulting mood left me in no doubt as to what I should post next on this blog.
Morris Goldberg with Chris Schilder (1966): Photo: Ian B. Huntley |
Goldberg was part of the early wave of music exiles, moving to England in 1960 and then, with the help of Hugh Masekela, settling in the United States in 1962. Since then he has backed the greats, including Masekela (Uptownship, 1989); Paul Simon (Graceland, 1985), amongst others.
Fortunately for South Africa, Goldberg keeps coming back: In 1974 he returned to record “Mannenburg” with Abdullah Ibrahim. In 1975 he recorded two albums in South Africa for two different labels. Morris Goldberg’s Urban Jazz Band was featured earlier on this blog here.
Morris Goldberg; Johnny Clayton (piano) Midge Pike (bass). Cape Town City Hall (1966) Pic: Ian B. Huntley |
For reasons of space, the "Jazz In Transit" CD releases do not contain the last two tracks of the original vinyl double album: “Sometimes I feel like a Motherless Child” and Chick Corea’s “Spain”. These two tracks can be downloaded as a bonus below.
Goldberg heads up a highly successful U.S.-based SafroJazz band “Ojoyo” featuring the likes of Bakithi Khumalo (bass) and Bheki Khoza (guitar). They have produced three CDs which can all be found here.
Ojoyo played the Cape Town Jazz Festival in 2005, and four Grahamstown festivals in the 1990s.
Recorded at the Manley Van Niekerk (MvN) studios in 1975.
Rapidshare here Mediafire here
Jazz in Transit (1983)
Two tracks not included in the CD re-release:
11. Sometimes I feel like a motherless child (Traditional) (The record label attributes this song to Richie Havens)
12. Spain (Chick Corea).
Rapidshare here Mediafire here
Hi, first of all, congratulations for marvellous blog! Second, I think you put the wrong link to "The Morris Goldberg Quartet" in mediafire. It links to "Jazz in Transit". best regards! Carlos
ReplyDeleteThanks for the heads up on the mix-up - apologies for the inconvenience - all fixed now. Chris
ReplyDeleteHi, Good stuff that I will check out later,mobile internet in Australia is really expensive! I have added you to the blog roll at http://2wisejazzheads.blogspot.com/
ReplyDeletethe home of Andy's Jazz Show and Ray the Jazz Rep,both on UK Jazz Radio.Happy to give you an online shout if you want but would understand if you don't. ;-)
Andy
Thanks Andy - we are always keen to give exposure to the music we share - shout it out by all means. Chris
ReplyDeleteFine music, thanks a lot.
ReplyDeleteThis album is brilliant! Thank you for such a great blog.
ReplyDeleteBrilliant stuff! I just think the attribution of "Motherless Child" to Richie Havens is stretching it a bit! This is a very old traditional song - from many years before Havens was born!
ReplyDeleteThanks Tony - I am learning all the time - the record label attributes it to Richie Havens -
ReplyDeleteReally like the Morris Goldberg Quartet album. The David Bravo compositions are well crafted with strong focus on stating & restating the melody. Does anyone know what "Cewewal" means? Big thanks for sharing this music.
ReplyDeleteThanks for taking the time to share your appreciation gklein ... in my mind I I imagined cewewal to be a gobbledeygook childhood word construction - never heard or seen it elsewhere. Chris
ReplyDeleteThanks, Chris. I thought it might be something like that but wanted to be sure it didn't refer to some important aspect of SA culture I wasn't aware of. I may play that track on the Groove Yard (Sunday 1-3 pm Eastern US time on wemu.org). I'm currently exploring global jazz connections. Thanks again for all the great music on this incredible blog. George
ReplyDeleteI absolutely love these guys. What a great show. It arrived on time and was in great shape. I love to watch and listen to this group. They are great.
ReplyDeleteIn response to George's question about , it was David's version of Cereal. There were young kids in his family who pronounced it like that, and so it became the song's title. Thanks for a great blog, and all best for 2013.
ReplyDeleteThanks mybud for the kind word and good wishes. Thanks too for confirming the origins of the song title, from what appears to be first hand experience. Look out this year for another four or five hours of previously unheard recordings of Morris and the Cape Town crew doing live gigs, mostly at the Art Centre, but also one at The Troubadour. Best wishes for a wonderful 2013
ReplyDeleteOh PLEASE reup Jazz in Transit, it is such a wonderful album!
ReplyDeleteMany thanks, please re-up Jazz in Transit
ReplyDeleteplease re-up Jazz in Transit
ReplyDelete