A very lucky off-chance find whilst digging in a London shop. Originally priced at R5.99 with a Kohinor Kort Street price sticker! In a few comments on other posts a number of people have requested this LP and so here it is.
The Minerals are: Thelma Segona (organ/piano/vocals), Ronnie Makhondo (percussion/vocals), Nick Kunene (lead guitar/vocals), Jonas Mkhabela (bass), Joseph Tshabalala (drummer), Isaac Moraba (vocalist), and Jimmy Mojapelo (composer and leader).
A wonderful mix of soul, philly-styled funk on the 13 minute title tune and breezy Soweto pop. (OK, cheesy pop and a few great moments!)
ENJOY! MF LINK
Wednesday, 4 October 2017
Tuesday, 26 September 2017
The Drive - Live (1975, RCL 1203)
You thought we had gone! But we're back, briefly for the first posting of 2017! By special request from a number of people, specifically for the track Africa Bossa, here is South African soul jazz funk band from the early seventies - The Drive. Whilst this is titled Drive Live it is in fact a studio recording with overdubbed crowd sounds.
We have posted a number of other Drive LPs at electricjive before. You can check them out here.
Of interest to many will be the appearance of Bheki Mseleku on keys.
ENJOY! MF
Tuesday, 29 November 2016
Usathane Usifikile!: EJ Durban Office Party 2016
We
have all encountered a few “devils” of our own this year, and I thought it a
good time to dig through my ‘new finds’ for a year-end Office Party shake-out. Welcome
to a bumper edition of the Electric Jive 2016 Durban Office Party. Sadly, unexpected
changes to my work-travel commitments prevent me from actually spinning these
discs, as planned, at the Electric Jive Office Party at Khaya Records on Friday
9th December. A party of one sort or another is still happening though. "Familiar Favourite" (Mxolisi Makubho) and Hotdog Fingarz of Fly
Machine Sessions are keeping their part of the bargain and will be coming
through from Johannesburg with some great tunes on vinyl. Make a note: Khaya Records, Durban – Friday evening 9th
December. I will leave a gift for the first thirty or so people who make it through the door. Thanks to Vusi of The Fly Machine Sessions for the graphic at the top of this post!
So,
herewith two hours of what I would have played, if I could have. First up is a
one-hour trip that sets off from the countryside with guitar and vocal
commentary from the late 1950s, early 60s, building up via violin jive through
Zulu blues, to early rock and roll. Victor Ndlazilwana (later of Jazz Ministers
fame) is credited with writing and playing on “Please do it oh Baby”, a song
that would not have been out of place on an Elvis album from that time.
The
merriment builds, morphing from rock-influenced marabi jive through to big-band
ska from the likes of Orlando Jazz Combo. Have a listen to Chris McGregor and the
Blue Notes playing Dudu Pukwana’s “Ndiyeke
Mra” and check out the strong ska influence! Likewise, Africa’s Hot Ten
(including Kippie Moeketsi and other jazz luminaries) showcase the deep well of
great talent and technical dedication from the time.
The
mix changes direction, revisiting some great brass-driven marabi jive tracks
from the likes of “The New Havana
Orchestra, The Shakers, and the The
Kwa Mashu Swingsters”. We warm down with the sweet vocals of the “Dark City
Sisters” and end as we began, artists referencing “Inhliziyo Yam” (my
disposition, or mood). Whereas Job Ndlangalala starts this set with a
hauntingly beautiful guitar track
telling of the circumstances that were ‘killing’ his mood, The Shakers end-off
with an upbeat simple finale.
So
– if you feel the need to cleanse, purge, indulge, exorcise, dance, this mix
can help. The 78rpm recordings are being shared as a single mix-tape. Sorry, no
separated tracks on this one.
I wish all visitors to Electric Jive happy holidays, and a much, much better 2017!
1. The Play Singer: Hambabamfana. (Job
Ndlangalala) Columbia YE208.
2. The Play Singer: U Ngi Cebe E Poisen. (Job
Ndlangalala) Columbia YE129.
3. Joseph Khumalo: Usathani Sefikile. (Joseph
Khumalo) Quality TJ.855.
4. Nongomo Trio: Zulu Violin Special. (Nongomo
Trio) Columbia YE.333.
5. Gumede's Happy Violin: Thatha Jou (J. Gumede) Gallotone
Jive GB.3212.
6. Stanley Caluza: Sengimtholile. (Stanley
Caluza) Columbia YE392.
7. Daisy Newman: Abafana. (Daisy Newman) Winner
OK.051.
8. Cooper & The Black
Be-Bop Sisters: Ebusuku
Nemini (Theodora Ngcongo) Winner OK.114.
9. Merebank Youngsters: Ngiyazisola (Merebank
Youngsters) Columbia YE.85.
10. The Bogard Brothers: Che Boogie Here. (L.
Motau) His Master's Voice JP.750.
11. Big Rock Chaka: Please Do It Oh Baby (Victor
Ndlazilwana). Tropik DC.751.
12. Almon's Jazz Kings: Uyidoda (Almon Memela) Gallo
USA USA280.
13. Orlando Jazz Combo: Imbasha (Percy Gumbi) Gallo
USA USA304.
14.
Chris McGregor & His Blue Notes: Ndiyeke Mra (Dudu Phukwana) Winner
OK.125.
15. Africa's Hot Ten: Club 600 (E. Williams) Winner
OK.001.
16. Christopher and his Home
Swingsters: T.
Time Ska (Chris Songxaka) Gallo New Sound GB3581.
17. Sofasonke Swingsters: Umlahla (Edmund Piliso) His
Master's Voice JP.857.
18. Cooper & The Black
Be-Bop Sisters: Vat
en Sit (Gloria Malete) Winner OK.114.
19. Zee Zee Jazz Appointment: Jazz Palace (Rupert Bopape) His Master's Voice JP.741.
20. The New Havana Orchestra: City Phata (Ngubane) Troubadour
AFC.605.
21. The Shakers: Shake Shake No. 1 (Busi)
Troubadour AFC.643
22. Kwa Mashu Swingsters: Siyanda (Roland Mqwebu)
RCA.250.
23. The City Dazzlers: Ngenye Mini (The City
Dazzlers) HIT.120.
24. The Dark City Sisters: Tap Tap Ntshebe (Zeph
Nkabinde, Michael Xaba, Rupert Bopape, Elijah Nkwanyane) His Master's Voice
JP.700.
25. The Shakers: Intlyizo Yam.(Busi) Troubadour
AFC.643.
The
second one-hour set is drawn from 45rpm, most of which found their way to my
drawers this year. Seventies South African soul, funk, pop, jazz and then some
mbaqanga to round it all off.
1.
The V.I.P.s: Maxie's
Mood. (M. Kubekha, I. Twala). Love Love LVB220.
2.
The Anchors: Friends In Soul. (The Anchors). CYB69. (1969).
3.
The Inn Lawes: Peter and Zacks Special (Peter Morake, Zacks Kgasapane) CBS AB
326.
4.
S. Piliso & His Super Seven: Papa Was A Rolling Stone (Whitfield and
Strong) FGB625 (1973).
5.
Cool Cats: Wilderness (Gilbert Matthews, G. Sabela) Soweto SWB 4 (1973).
6.
The Special Sounds: Mngani (Rupert Bopape and
Shadrach Piliso) Soul Jazz Pop SOJ 2 (1974),
7.
Cool Cats: See You Later (P. Nkosi, B.
Kgasoane) Soweto SWB 4 (1973).
8.
The Black Pages: There Goes (N. Makua, E. Kheswa, G.
Molefi). Soul Jazz Pop SOJ 140 (1977).
9.
S. Piliso & His Super Seven: Umgababa (Edmund Piliso & Themba
Dlamini) FGB625 (1973).
10.
Bops and Son: Chicken Soul (D. Mchunu) MJW Records MJW.107 (1976).
11.
Inthuthuko Brothers: Soweto Disco (S. Jibiliza)Black Cherry
BCS110 1978.
12.
Shumi: Gideon, Early & McKay (Holler/Arr: Masingi) BUA8803 (1974).
13.
Jazz Disciples: Tete’s Jump (Tete Mbambisa) HMV JP887 (1967).
14.
Rift Valley Brothers: Mutirima Waka (Lawrence Nduku) Mercury
MER11.
15.
Abafana Bentuthuko: Double Line (Hansford Mthembu) AB666.
16.
John Mkhabela and the Fire Wizards: Umdidyelo (J Nhlapo) GGB456 (1971).
17.
The Play Boys: Cross Road (D. Mokoka - M.
Maliehe) JP1338 (1973).
18.
Izintombi Zomoya: Oseke Walla (Rupert Bopape and Irene
Mawela) Motella MO 522 (1974).
19.
Abafana Besi Manje Manje: Bathini Nzimande (Hamilton Nzimande) HVN
NZ.68 (1974).
20.
Johanes Lenkoe with the Suger Suger Boys:
NU 3 (Johannes Lenkoe) Six Mabone SMB
728 (1975).
21.
Makhona Zonke Band: Durban Road. (
22.
The Creations: Wild Man in the City (Manu
Dibango) PD 1270 (1976).
Download
links:
78rpm
mix-tape
45rpm
mix-tape
45rpm
separated tracks
Sunday, 20 November 2016
Slow Sunday Congo Singles Special
A sultry, slow and unhurried Sunday morning
selection from the ASL drawers. Earlyish Congo Rumba, all except the last was pressed and sold in Kenya. A while back in this blog there was a great response
to three posts of ASL Congo singles (here, here, and here) so, this next instalment is long overdue. This time with
some focus on a deep breath (it does that for me anyway) before the year-end madness.The mixtape version is for my own comfort during some upcoming travel time I have to put in. Separated tracks are also provided.
In my September 2012 ASL Singles post I gave an outline of South African interests, particularly the Gallo Record Company’s interests in establishing ASL.
Gallo Nairobi was established in the early 1950s. Following Kenya’s
independence in 1963 visible South African ownership of the company became a
problem, so Associated Sounds (East Africa) Pty Ltd (ASL) was set up as a dummy
company by Gallo in the United Kingdom. ASL had their own Kenyan pressing
plant.
ASL certainly released a huge amount of Congolese and East African inspired Rumba and Soukous in the 70s and 80s, with the tracks easily stretching to five minutes each on the micro-groove format.
Mixtape download
link here
In my September 2012 ASL Singles post I gave an outline of South African interests, particularly the Gallo Record Company’s interests in establishing ASL.
Gallo Nairobi was established in the early 1950s. Following Kenya’s
independence in 1963 visible South African ownership of the company became a
problem, so Associated Sounds (East Africa) Pty Ltd (ASL) was set up as a dummy
company by Gallo in the United Kingdom. ASL had their own Kenyan pressing
plant.ASL certainly released a huge amount of Congolese and East African inspired Rumba and Soukous in the 70s and 80s, with the tracks easily stretching to five minutes each on the micro-groove format.
Enjoy
your Sunday morning, or late night, whenever you feel like being soothed.
1.
L'Orchestre African Fiesta: Chantal Komonela Ngai (Test Pressing ASL
1870)
2.
Chantal & L’Orchestre African Fiesta:
Doris (ASL 7-1845)
3.
Dr Nico & L’Orchestre African Fiesta:
Okosuka Wapi (ASL 7-1924)
4.
Sylis & L’Orchestre Baby National:
Luntala (ASL 7-1012)
5.
Vicky & L’Orchestre Les Hi-Fives:
Sijakuacha (ASL 7-102)
6.
Vicky & L'Orchestre O.K. Jazz: Dodo Tuna Motema (ASL 7-3090)
7.
Vicky & L'Orchestre O.K. Jazz: Monoko Oyo Ezali Na Ngai (ASL 7-3090)
8.
Youlou & L’Orchestre O.K. Jazz: Bolingo Nouveate (ASL 7– 3159)
9.
Verckys & L'Orchestre Veve: Ah Ngai
Matinda (ASL 7-3174)
10.
Baba National (Baba Gaston): Noel
Nakalemi (ASL 7-151)
11.
Orch Mptete Wa Mpete: Bonne Na Noel Pts 1
& 2 (ASL 4375)
12.
Orchestre Afrisa: Mbote Ya Kinvwanga Pts 1 & 2 (African 91 620)
Separate tracks link
Wednesday, 16 November 2016
Nairobi Rumba Singles Splash
One comfort in an otherwise unsettling year
has been my own luck in finding some great second-hand records – 78rpm, 45rpm
and LPs. I had the good fortune of visiting Nairobi three times this year, and
meeting a long-time Congo-Kenya Rhumba collector who no longer wanted to keep his
vinyl collection, he wanted this music in digital format. So, come the summer
holiday break I will be spending some time keeping my promise to him. Before I share with you my start on that project, I must mention two great compilations
of Kenyan music that have this year been released world-wide. The sound reproduction on both
compilations is really excellent. My personal favourite is “Urgent Jumping: East
African Musiki Wa Dansi Classics” which features 27 tracks spanning close on
two and a half hours of music from Kenyan, Tanzanian and Congolese bands
that plied their trade across the region over the period 1972 - 1982.
“Kenya Special Volume 2” follows the
successful release by Soundway Records of volume one in 2013. This compilation
offers 20 tracks (90 minutes) sampling a wider variety of Kenyan music in the
1970s and 1980s.
Soundway reckon that the resurgence of
interest in African music from the 1960s to the 1980s is boosted by a curious
new generation of music lovers: “The approach to musical rediscovery that is
behind Kenya Special has its origins in a youthful movement of
vinyl collecting (and to some extent club culture), which has, in the past
decade and a half, carved out its own niche alongside the established music
industry.”
“Despite the renewed interest in music from Kenya’s past, finding these tracks and their rights holders hasn’t become any easier. Only a handful of music archives around the world harbour collections of Kenyan music, and just a few private collectors in Kenya and abroad have been sharing catalogue info online or privately. One of the problems with East African music of this era is that much of it was originally released only on 45 rpm, seven-inch vinyl singles, many of which were only ever produced in tiny runs of a few hundred. 45s with their thin, paper sleeves do not age as well as LPs and are often far more susceptible to the elements. The compilers of Kenya Special 2 have gone to great lengths to disclose a small part of what is slowly being accepted as an essential element of East Africa’s cultural heritage: the history of recorded popular music.”
So, herewith a rather random sampling from
the pile of 45rpms that Henry sold me. Do leave a comment if you would like
more of the same.
1. Orch Bana Likasi: Lena Pts 1 & 2 (Kanema)
Outstanding vocalist Lovy Mokolo Longomba
was the son of Vicky Longomba, a founding member of OK Jazz. The Muzikifan
website (well worth a visit) tells us that Longomba moved to Nairobi in August
1978 and went through a string of bands, from Les Kinois, through Boma
Liwanza, to Orch Shika Shika. He
then formed the band Super Lovy in
May 1981. Bana Likasi was the same
band as Super Lovy, but was so named
to avoid a contractual conflict. Longomba died in 1996 in a car crash in
Tanzania.
2. Orch. Les Jaca: Sikia Pts 1 & 2 (Ligbutu)
This from the Muzikifan website: “Les Jaca was created by Lovy (Longomba) when
he decided to leave Super Mazembe in 1981. He went into the studio with Siama,
Tabu Frantal, Mandefu, Roy Mosanda and other friends, but the attempt bore no
fruit, so Lovy remained with Super Mazembe.”
3. L'Orch Baba National: Vituko Vya Mama
Mkwe Pts 1 & 2 (Baba Gaston)
One of the first Congolese musicians to
settle in East Africa (in 1971), first in Dar Es Salam, and then in 1976 in
Nairobi. Some reports indicate that Baba Gaston was not the easiest band leader
to work with, and in July 1976 most his band walked out on him to form their
own band, the highly successful Les
Mangalepa. Baba Gaston remained a super star in Nairobi until his
retirement in 1989.
4. Orch Les Wanyika: Nisaidie Baba Pts 1
& 2 (D.J. Ngereza) 1980.
An offshoot of Simba Wanyika formed by a group of Kenyan and Tanzanian musicians
left the band to form Les Wanyika.
Famous for classic Swahili rumba hit hits like Sina Makossa, Paulina and Pamela (these singles were even sold in
South Africa at the time). Band leader and guitarist John Ngereza composed this
song. In 2010, ten years after Ngereza died, four surviving members put aside
their differences and re-grouped and started playing again. You can read about
the reunion of Rashid Juma, Alfani Tommy Malanga, Sijali Zuwa
‘Usikajali’ and Joseph Justy ‘Yellow Man’ here.
5. Les Volcano: Hakuna Dawa Ya Mapenzi Pts
1 & 2 (Charles Ray Kasembe)
6. Orch Les Volcano: Tumonye Mwanangu Pts 1
& 2 (Charles Ray Kasembe)
Another off-shoot band though the details are not as clear. – this time from Super Volcano. Some sources say that Les Volcano were co-founded by Charles Ray
Kasembe and Mohamed Mazingazinga in 1976. Info on the Kentanza site suggests that Les Volcano came about following the death of Mbaraka Mwinishe (leader of Super Volcano) in 1979. Doug Paterson sees it the same way: " I don't think Les Volcano was a group until after the death of Mbaraka Mwinshehe. I think Mbaraka started Super Volcano after leaving Morogoro Jazz (in about 1974?). After Mbaraka died, Ray Charles Kasembe tried to keep a subset of Super Volcano members together under the name Les Volcanos. I don't think this group existed prior to Mbaraka's death (I could be mistaken). I never had the opportunity to see Super Volcano, though I went to the Kenya coast try to find them in 1975 (just missed them)." Thanks Doug.
7. Orch. Super Bwambe: Atikapo Pts 1 &
2
8. Orchestre Matonge: Pesa Moselebende Pts
1 & 2 (Jean-Claude K)
Named after the musical heart of Congo
Kinshasa, this was another of the bands that sold really well in Nairobi. I
cannot find much info on this band, though Tim Clifford on the ever useful
Kentanza Vinyl site says that the Kamanyola label is named “after an area in
eastern DRC Congo close to the Rwandan border. The name featured heavily in
Mobutu’s Zaire as in 1964 it was where the young army officer led troops in the
capture of a rebel-held bridge. When he rose to power, he named the
presidential yacht, an army division and Kinshasa’s sports stadium (now the
Stade des Martyrs) after this victory. There is still a Boulevard Kamanyola in
Lubumbashi. Appropriately enough, one of the roads leading off it is the Avenue
des Chutes - Falls or Collapses Avenue.”
Download link here
Friday, 11 November 2016
Stereo Festival of East Africa: (1977)
Kenyan visitors to Electric Jive rank right
up there up at number nine in this blog’s all-time per-country hits, just ahead
of Colombia at number ten. Now feels like a good time to celebrate some more of
what current-day Kenyans call the “golden oldies” – the Congo-Kenya confluence back
in 1976.
This somewhat strange compilation LP features an A side with sound effects recordings, and the B side a selection of five great tracks associated somehow with the “African Conference Nairobi January 1976.”
If you are interested in learning more about Kenya’s rich musical history, there are some great blogs and archives out there. For starters try some of these: Doug Patterson’s East African Music page; Alistair Johnson’s Muzikifan; and Tim Clifford’s KenTanza Vinyl.
2. Orchestre Super Volcano - Hasira Punguza
This somewhat strange compilation LP features an A side with sound effects recordings, and the B side a selection of five great tracks associated somehow with the “African Conference Nairobi January 1976.”
If you are interested in learning more about Kenya’s rich musical history, there are some great blogs and archives out there. For starters try some of these: Doug Patterson’s East African Music page; Alistair Johnson’s Muzikifan; and Tim Clifford’s KenTanza Vinyl.
Enjoy!
1. Orchestre Simba Wanyika - Kijana Tushrikiane
2. Orchestre Super Volcano - Hasira Punguza
3. Orchestre Baba
National - Kai Kai
4. Orchestre Mazembe - Nakokufa Pamba
5. Orchestre Apollo Komesha '71 - Mombasa Kuzuri
Download link: here
Saturday, 5 November 2016
A Tribute to Henry Sithole and Bunny Luthuli: The Drive (1977)
A special recording. Besides being comprised of some outstanding funk-fusion meets early disco numbers featuring Bheki Mseleku and the rest of this talented band, these are the last recordings with the core band intact, made only two weeks before Henry Sithole and Bunny Luthuli were killed in a car crash.
Plenty has been written on this blog and elsewhere on this fine band. If you use the "search" function in the right-hand column you will find links to much more info and earlier albums.
Before "The Drive", the Sithole brothers formed the brass core of the Heshoo Beshoo group. Luthuli played with Almon's Jazz 8. After The Drive, various members went on to form Sakhile, and also Spirits Rejoice. And of course, there is the stellar rise to international fame of Bheki Mseleku.
The liner notes tell us that The Drive were on the brink of an "overseas tour" breakthrough.
"Right at the peak of their dazzling career when plans were laid to take the group overseas to engagements that would pace the way for international success - a fatal car accident claimed the live of the two who had worked so hard to achieve this these goals. Bunny Luthuli was married only a few months before his death. Henry Sithole leaves a wife and four children."
"Join us in remembering these two outstanding musicians through their music in this recording - made only two short weeks before their tragic death."

Like a number of other Drive albums, there is no record of who the musicians were. When the band formed in 1971, Duke Makasi and Mike Makhalamele were early members. Kaya Mahlangu, Sipho Gumede and Jabu Nkosi also spent time as members. As far as I can make out though, from around 1975 through to 1977 the band was pretty stable member-wise. One album that does list and picture the band members is the 1975 album "Can You feel It?". Based on this, my guess is as follows: The lead female vocalist featured is almost certainly Mavis Maseko.
Henry Sithole - Band leader: Alto Sax
Stanley Sithole - Tenor and baritone sax
David Sithole - Trumpet
Bunny Luthuli - Guitar
Bheki Mseleku - Synthesiser, hammond piano and electric organ
Nelson Magwaza - Drums, percussion and congas
Tony Sauli - bass
Slow Drive to Soweto (c1971, AYL 1009)
The Sky's The Limit (1975, RCL 1201)
Can You Feel It (1975, RCL 1202)
Drive Live (1975, RCL 1203)
Coming To The End of This (1976, RCL 1208)
Zone 6 (1976, RCL 1215)
A Tribute to Henry Sithole and Bunny Luthuli (1977, RCL 1216)
Lets Cool it (1980, BL271)
Plenty has been written on this blog and elsewhere on this fine band. If you use the "search" function in the right-hand column you will find links to much more info and earlier albums.Before "The Drive", the Sithole brothers formed the brass core of the Heshoo Beshoo group. Luthuli played with Almon's Jazz 8. After The Drive, various members went on to form Sakhile, and also Spirits Rejoice. And of course, there is the stellar rise to international fame of Bheki Mseleku.
The liner notes tell us that The Drive were on the brink of an "overseas tour" breakthrough.
"Right at the peak of their dazzling career when plans were laid to take the group overseas to engagements that would pace the way for international success - a fatal car accident claimed the live of the two who had worked so hard to achieve this these goals. Bunny Luthuli was married only a few months before his death. Henry Sithole leaves a wife and four children.""Join us in remembering these two outstanding musicians through their music in this recording - made only two short weeks before their tragic death."

Like a number of other Drive albums, there is no record of who the musicians were. When the band formed in 1971, Duke Makasi and Mike Makhalamele were early members. Kaya Mahlangu, Sipho Gumede and Jabu Nkosi also spent time as members. As far as I can make out though, from around 1975 through to 1977 the band was pretty stable member-wise. One album that does list and picture the band members is the 1975 album "Can You feel It?". Based on this, my guess is as follows: The lead female vocalist featured is almost certainly Mavis Maseko.
Henry Sithole - Band leader: Alto Sax
Stanley Sithole - Tenor and baritone sax
David Sithole - Trumpet
Bunny Luthuli - Guitar
Bheki Mseleku - Synthesiser, hammond piano and electric organ
Nelson Magwaza - Drums, percussion and congas
Tony Sauli - bass
Slow Drive to Soweto (c1971, AYL 1009)
The Sky's The Limit (1975, RCL 1201)
Can You Feel It (1975, RCL 1202)
Drive Live (1975, RCL 1203)
Coming To The End of This (1976, RCL 1208)
Zone 6 (1976, RCL 1215)
A Tribute to Henry Sithole and Bunny Luthuli (1977, RCL 1216)
Lets Cool it (1980, BL271)
1. Mama We (Henry Sithole) 6.07
2. Sala Ngoxolo (Henry Sithole) 2.57
3. Let's Have a Ball (Bunny Luthuli) 8.36
Subscribe to:
Posts (Atom)











