Saturday, 27 February 2010

South Africa's Jazz Ministers Continued

Despite its 1984 date, this accessible, swinging, trumpet-driven African Jazz has a seventies urban South Africa feel. A follow-up to an earlier ElectricJive post, Nomvula’s Dance, herewith another offering from the Jazz Ministers.

This recording is a great example of how a cluster of good musicians continued to excel after the death of their leading light. Jazz Ministers founder Victor Ndlazilwana died in 1978. Trumpeter, and tireless teacher of jazz, Johnny Mekoa took over leadership of the Jazz Ministers and produced this gem.

The Jazz Ministers were the first African jazz band to perform at the Newport Jazz Festival in New York.

Mediafire here
Rapidshare here

Thursday, 18 February 2010

The Sound that Stood the Test of Time


A very special LP is shared with you today, one that has stood the test of time - much like the Castle Lager beer slogan. It features some of the last recordings made by Chris McGregor in South Africa before departing for exile. Soon after the festival McGregor put together a prize winners band that recorded the LP Jazz: The African Sound. Try inconstant sol for more details The annual festivals - of which performances from the 1962 and 1964 concerts have been issued on record - were sponsored by Castle Lager, keen to win more customers and leveraging the link between beer, drinking, shebeens and jazz. The 1962 concert and this LP collects many of the top jazz bands of the day. Whilst many of the performances are middle of the road jazz covers it is the tracks by Chris McGregor and Eric Nomvete (featuring Dick Khoza on drums) that stand out. In 1964 Castle cancelled any future festivals apparently due to gang rivalry and the inability of the organisers to guarantee the safety of the crowds.

Tracks
1. When the Saints Come Marching In - The Chris McGregor Septet
2. Blues Story - The Chris McGregor Septet
3. I Like That - The Chris McGregor Septet
4. Let The Good Times Roll - Ben Masinga
5. This Can't Be Love - The Woody Woodpeckers
6. A Baptist Beat - The Jazz Giants
7. Kentucky Oysters - The Jazz Dazzlers
8. I Got Rhythm - Ben Masinga
9. String of Pearls - The Woody Woodpeckers
10. What is There to Say? - The Jazz Ambassadors
11. Pondo Blues - Eric Nomvete's Big Five

RS LINK
MF LINK

Monday, 15 February 2010

Global Grooves on SA Radio and streaming


Its great to see growing South African horizons and interest in music from around the world. Another streaming and radio destination worth noting - especially for Cape Town readers, but also for curious web-streaming listeners. From Fine Music Radio (FMR 101.3) in Cape Town, this monthly programme brings you an eclectic mix of music from around the world presented by Chris Wildman and compiled by Paul Whelan.

"We dont want to pigeonhole the music we attempt to cover, but here are some broad categories: modern sounds from Africa, vintage recordings from around world especially West and Central Africa and Ethiopia, global fusion, Central Asian music, Americana, British folk revival from its roots to its current flowerings, Scandinavian folk."

The programme airs this month on the 17th February, 22h00 to 24h00 South African time, FM 101.3 in the Cape Town area. You can live stream it anywhere from: here (http://www.fmr.co.za/pages/listen-live.php)
"Other presenters spin music from around the world in same time slot on Wednesdays".

As concerns ElectricJive - some long lost cold castle jazz brewing up very soon.

Saturday, 6 February 2010

Lost Letta


EJ readers have been asking us to try and find the lost Letta Mbulu LP. After an extensive search we are pretty certain that copies of the LP have not been circulated in collectors circles. In all likelihood its still sitting in a tape box in New York City. The album in question is known as "Mosadi" or "I'll Never Be the Same" and according to the authoritative Doug Payne discography it contains the following tracks:

Kedumetse
Moya
Uyaz Gabisa
Aredze
Because of You
Now We May Begin
I'll Never Be The Same
We've Got To Learn To Love

It just so happens that the first four tracks on this LP were also issued on a compilation entitled Africa 68 on the UNI LABEL. We are not sure if the songs were re-recorded for the lost Letta Mbulu album. In any case here is the full Africa 68 compilation for your listening pleasure. BBE did a great job a few years back of delving into the Chisa archives and uncovering a number of gems that had only appeared on 45 or were sitting - like this Letta LP - unreleased. This release is well worth checking out and is still in print and available from BBE Records.

Sunday, 31 January 2010

Sixties Twist Jive Jazz ‘n Ska Mbaqanga from South Africa


Reggie Msomi was a prolific writer who drew upon and fused multiple cosmopolitan influences into a sound that must have energised Western and African audiences alike. While having its distinct South Africa flavour, this fusion of jazz, jive, ska and twist would – if it had been so distributed - most likely have filled sixties dance-floors from Kingston to Kinshasa – from New York via London back to New Orleans.


Thanks again to artist and collector extraordinaire Siemon Allen for sharing these rarities with ElectricJive. If you have not yet done so – do yourself the favour of giving Siemon’s flatinternational site a browse, starting here.

new download link here (June 2015)



Sunday, 24 January 2010

Swing Africa: Reggie Msomi and His Jazz Africa (1976)


Mbaqanga may have paid the bills, but for Reggie Msomi and quite a few other talented 1970s South African musicians, jazz and soul were their first love. A relatively small buying public meant that some strong music was being overlooked by the record companies. With a big reputation in the  industry as a consumate musician, talent scout, band-leader, writer, arranger and producer, Msomi managed to record   this eclectic and now rare collection of his own soul, jazz and even marabi-tinged compositions – recorded as a Mavuthela Production two weeks before the Soweto uprisings in June 1976. Do yourself a favour – sit down and listen to “Swing Africa”, or better still, stand up and Swing Africa  - some jazz, lots of soul, but essentially South African!

Reggie Msomi formed and led the Hollywood Jazz Band in 1962. He wrote scores of hits for big stars, including Miriam Makeba. One of his bands' own hits that has endured in current compilations is "Midnight Ska", a great sixties ska number which can be downloaded here. In the early seventies Msomi was also band leader of the Flying Jazz Queens, a popular Mbaqanga group.

From the back cover:
“Reggie was born at Frankland KwaQwabe the Ngunis, along the South Coast, Port Shepstone, Natal. He grew up like all other African Boys, first herded cattle then went to school. He started his music career at an early age, when he made his own guitar with a gallon tin a wooden handle and three ordinary wire strings. He was only ten years of age when he was playing his hand-made guitar, entertaining beer-drinking older men. In 1953 Reggie left Natal for Johannesburg seeking work in the gold mines as a male nurse in the mine hospital.

“He bought himself an electric guitar whilst employed by the mines. After a year’s service he left the mines and worked for the Turf Club as a groom boy. There he played for the people of Magaba Njegabane.

“The following year he joined a recording company known as RCA where he met people like Chuks Chukudu, bass player; Stanford Tsiu, guitarist; Christopher Songxaka on tenor saxophone. Later he joined Gallo Africa where he made best-selling records composed by himself, some of them he recorded with famous stars like Miriam Makeba, Manhattan Brothers, Lemmy Special Mabaso; The Sky Larks and the late Spokes Mashiyane.

“Most of the songs played by Spokes were composed by Reggie who also played a guitar. They were then under talent scout, the late Sam Alcock. In 1960 Reggie was now playing a saxophone. He then recorded a song titled “Dinner Time Twist” which he composed. In 1962 he was appointed as a talent scount for Gallo Africa. During the same year he formed his own band known as the “Hollywood Jazz Band” which took part in the Batfire Trade Fair in South Africa. In 1965 he toured Rhodesia and Zambia with his band. In 1966 he joined Mr R. Bobpape together with the Mahotella Queens and Makgona Tsohle Band.

“Between 1970 and 1974 he was on his own doing his works at his house until he recorded an album entitled “Bump to Bump”. Through thick and thin he is taking us to the heart of Africa with this fantastic album.”

Written, arranged and produced by Reggie Msomi
Co-produced by West Nkosi
Recording Engineer: Peter Ceronio

1. Swing Africa
2. I Like Summertime
3. Emkhumbane
4. Leave Me No More
5. Days to Remember
6. Respect is Important
7. Lord Love Us All

Soul Jazz BL 72
No further information on the other musicians.
RS LINK
MF LINK

Tuesday, 19 January 2010

Mbaqanga from the men of Super Ten (1981)

The Super Tens herald further wishes for a "super" 2010 to all ElectricJive readers! This year’s third instalment of electric jive is a double-dose straying into the early 1980s and to a highly popular all-male band dispensing an increasingly sophisticated and rounded mbaqanga, re-introducing some marabi jive, but also flagging a taste of future 80s sounds.

Fronted by three tight saxophones (including Lemmy 'Special' Mabaso), the honey-smooth vocal harmonies, funky keyboards, and a pinch of synth, glide along to a strong mbaqanga drum and bass foundation.

EJ reader Gordon O’s request for the Super Tens got me digging out these two LPs bought at the store that traded in traditional medicine, plastic buckets and African music LPs at the top-end of Church Street next to Pietermaritzburg Central Railway Station in the early 1980s. Named after the first wave of 1970s ten-seater taxis, ‘The Super Tens’ spoke deeply to migrant workers - a pervasive beerhall sound-track, pulsing from straining speakers in the doorways of furniture and clothing stores across downtown urban South Africa.

From the inside cover of 'Umuzi Wempi': “The ‘Super Tens’ formed with some of the finest musicians in early 1981. They have gone from strength to strength, and their first release entitled “Ukuhla’ekweni” went double gold on release. Since then they have had hit after hit, establishing themselves. As one of South Africa’s top groups they have sold in excess of 160,000 units in records and tapes, with hits such as   Indod’Iyakhuluma”, “Khatazile”, “Usithathapi Usibandi”, and many more. This new album shows the true talent of the “Super Tens” and every number on the album is a hit. We are sure that the fans will enjoy the new release entitlted “Umuzi Wempi”, which took a long time in the studio to ultimately get the right sound. The “Super Tens” would like to thank all their fans for supporting them, and also to Maxwell Mngadi for his fine production of their LP’s.”

Musicians on “Umuzi Wempi”:
Lemmy Mabaso – Alto Sax and Tenor Sax
Noah Nduweni – Alto Sax
Maxwell Mngadi – Lead and bass guitar
Henry Ngwenya – All keyboards and synthesiser
Cyprian Cele and Sipho Bhengu – Vocal and Harmonies
Reggie Mfeka – Bass Guitar
Sipho Xaba – Drums
Richard Bongani Hadebe – Lead Guitar

On “Indod’Iyakhuluma” - the band has a third sax player in ‘Boy Mpongose’. Sipho Yeni plays keyboards.


"Umuzi Wempi"
1. Umuzi Wempi
2. Okwa Bonwa Yimi
3. Izinto Ziyajikajika
4. Uyokhala Zome
5. Sa Sala Sihlupekha
6. Ithemba Alibulali
7. Uyindod’ Enjani?
8. Umgumxa Banisi
9. Phindile
10. Lizzy
Beat City QBH 1026. (1982)

MF Link

"Indod’Iyakhuluma"
1. Indod’Iyakhuluma
2. Ukhulumelani Kabi Ngegamalami
3. Khatazile Yini Ngawe
4. Kant’Uyintombenjani?
5. Ucele Uxolo Njalo
6. Mama Ka Nonhlanhla
7. Ba Ka-Sipho
8. Ngiboniseni Madoda
9. Ustithathapi Isibindi
10. Ngiyazisola
Beat City QBH 1023 (1981)

MF Link